Copyright Protection for Computer-Produced Directories
Copyright Protection for Computer-Produced Directories
Michael S. Oberman 0
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Recommended Citation Michael S. Oberman, Copyright Protection for Computer-Produced Directories, 41 Fordham L. Rev. 767 (1973). Available at: http://ir.lawnet.fordham.edu/flr/vol41/iss4/1
PURSUANT to section 5(a) of the Copyright Act,' directories2 are
eligible for copyright protection. Thus, a compiler of names, known
facts, and new data may be entitled to a statutory monopoly for his
work, as long as his effort represents an independent creation. The scope
of this protection-especially the delineation of infringement-may raise
problems of degree in each litigated case. Still, the compiler's initial
challenge-qualifying for a grant of a copyright-is generally met; on this
point, the law appears settled.3
But the law on directories became settled long before the advent of
computer technology. Indeed, the model of the compiler which runs
through the leading cases4 suggests an energetic inquisitor tramping
through the streets in search of information," a dedicated lexicographer
laboriously assembling this information into a useful order, and-not the
least-an ingenious craftsman who transforms the collection of facts into
an attractive product. For his effort, and secondarily for his product, he
is given protection. This image should change when computers are
intro* This article was awarded National First Prize in the 1972 Nathan Burkan Memorial
Competition, sponsored by the American Society of Composers, Authors and Publishers,
and will appear at 22 ASCAP Copyright Law Symposium 1 (1974).
** A.B., cum laude, Columbia University; J.D., cum laude, Harvard Law School Mr.
Oberman is presently law clerk for Judge Milton Pollack of the United States District Court
for the Southern District of New York, and is a member of the New York Bar.
1. 17 U.S.C. § 5(a) (1970).
2. The word "directories," as used in this article, refers to rather mundane compilations of
public domain information. As opposed to collections of literary works, the items included in
a directory are not independently copyrightable. More involved collections, such as
cyclopedias which may contain extensive editorial material, are not considered. The emphasis is on
a more modest type of endeavor, in the nature of a phone book or simple dossier, which
presently is entitled to a thin copyright. "Computer-produced directory" refers to a printed
directory in human readable form, partly or primarily prepared by a computer.
3. Gorman, Copyright Protection for the Collection and Representation of Facts, 76 Harv.
L. Rev. 1569, 1584-85 (1963) [hereinafter cited as Gorman].
4. For a review of the case law, including the earliest opinions see Gorman 1584-89;
Lurvey, "Verifying" from Prior Directories--"Fair Use" or Theft? Delicate Distinctions in
the Protection of Copyrighted Compilations, 13 Bull. Copyright Soc'y 271, 272-80 (1966)
[hereinafter cited as Lurvey].
5. The need for original investigation-crucial in map cases-is sometimes ignored with
directories. Gorman, supra note 3, at 1584-85.
FORDEAM LAW REVIEW
duced into directory production.0 Once raw data is fed into the computer
data base and a "debugged" program is devised, the machine can rapidly
produce the desired compilation.7 To be sure, some human participation
is required for proper programming and for gathering and placing
information into the machine's memory bank. However, the introduction of
automation brings to the project a rate of speed, efficiency, and-quite
likely-accuracy not possible through human effort alone.
One question suggested by this development is whether the advent of
automation should change the copyrightability of directories or affect
the depth of whatever monopoly is extended. It might appear, on one
hand, that no change is appropriate. To some extent, the computer
simply replaces the human employees who had performed necessary but
tedious clerical functions for the copyright owner. That owner may
previously have conceived, supervised and funded the compilation; he may
continue to perform such roles once the computer is involved, with some
On the other hand, the policy assumptions underlying current
copyright law may not apply to the products of modern technology, for the
introduction of new procedures generally heralds less a substitution than
a departure. For example, with the development of photocopying, a
researcher can painlessly take home a duplicate copy of all relevant
materials. Xerography may be called a substitute for handcopying, but,
in effect, attitudes and approaches to research have been altered
substantially.8 Similarly, computer technology in time may alter the demand
for and the utility of directories; factual information is likely to be moved
along more effective conduits. Moreover, the protection afforded
directories has always been thin: proof of infringement has required evidence
of significant use. A major change in production-which computers
clearly represent-may justify reducing a thin protection to no protection
The problem presented is basically one of policy, not of statutory
interpretation. The governing statute, in force since 1909, has often been
6. Not all operations have been given over to the computer. For example, a directory of
IBM alumni is manually assembled by a former IBM executive, who sees no need for
computer help. A hot-selling guide to IBM's alumni, Business Week, Mar. 18, 1972, at 22.
Longer compilations-such as New York City telephone books-are computer assembled.
7. For a layman's introduction to computer operations see R. Arnold, H. Hill &A. Nichols,
Modem Data Processing (1969) ; Information (A Scientific American Book) (1966); Project,
New Technology and the Law of Copyright: Reprography and Computers, 15 U.C.L.A.L.
Rev. 931, 975-78, 995-1001 (1968) [hereinafter cited as Project].
8. See Williams & Wilkins Co. v. United States, U.S. Ct. Cl. No. 73-68, summarized at
40 U.S.L.W. 2550
(Feb. 16, 1972)
(opinion of Comm'r Davis). The copyright problems of
photocopying are analyzed in Project, supra note 7, at 941-75.
9. The problem of infringement is discussed in Part IV infra.
adapted to reflect technological developments.'" Clearly, the term
"directories" in section 5(a) can without strain include computer-produced
works; if the computer, its programmer, or its owner can be an "author"
under section 4,11 the statute can be applied. Of more concern-and of
more interest-are the judicially developed standards designed to
complement the aims of the statute.' 2 The requirement of originality," the
idea/expression dichotomy,14 the tests for infringement-these doctrines
reflect policy assumptions that might be affected by new methods of
authorship; at least, these basic assumptions need to be reconsidered in
the face of computer usage. In addition, the economic, monopolistic, and
first amendment implications of copyright should be restudied in light of
the prospects of modern technology.
Part II of this article explores the statutory requirement for authorship,
with particular emphasis given to the criterion of originality. Part III
analyzes limitations which have been placed upon copyright protection
in order to avoid severe monopolization of words and ideas. Part IV
considers the extent of copyright protection, centering on the factors
underlying a determination of infringement. The primary aim of the article
is to review these basic principles, and to assess the extent to which they
are applicable to products of the new technology. Computer-produced
directories will provide the focus for this review. The article concludes
that the introduction of computer technology to directory production
should not prevent a continuation of copyright protection for such works.
The use of this technology, however, does require a modification of certain
copyright doctrines as applied to directories.
In order to qualify for copyright protection, under both the
Constitution and the Copyright Act, a work must satisfy the requirement of
originality. 5 This requirement was developed by the courts1" to help
define the term "author" which appears in both the copyright clause17
and section 4 of the statute. A work can meet this requirement if its
origin can be traced to the author. There must be an independent creation,
as opposed to a copying of a pre-existing work. 18 Even if a new work is
so similar to a pre-existing work that little new of value is added, the
duplicating work-if it is not a plagiarism-may be copyrighted.' 9
Originality is thus distinct from the more demanding standard of novelty
which is applied to patentable products °
While the basic notion of originality seems clear, courts applying the
requirement to specific works appear to use two different tests or-perhaps
more accurately-appear to be proceeding from two different
perspectives.' On one hand, a court may focus on the product to be copyrighted
and may reach a decision about the "value ' 22 of the writing or creation,
Or, a court may focus on the labor underlying the finished work and may
estimate the value of the effort expended for the particular endeavor.
Generally, the line between these tests is blurred, 23 and, indeed, the
overlap is logical. A real contribution can be made if substantial labor is
needed to produce a work or if the product, once completed, aids or
entertains. In some works, both utility and effort are apparent; in other
cases, one element of contribution prevails. Originality should involve
both product value-perhaps to satisfy the need for minimal creativity
-and some showing of effort, for the copyright monopoly is granted in
order to encourage certain efforts. However, in trying to decide whether
directories should continue to be copyrighted once the essential tasks of
compilation are automated, it is helpful to force this distinction between
the product and the labor contributed, and toward that end, to reconsider
cases which rest primarily on one side of the dichotomy or the other.
1. The Product Value Test
While courts will look at each work and consider its inherent
contribution in order to rule on originality, this test of the value of the product
ordinarily is applied pro forma. Judges, who generally are trained in the
law more fully than in the arts, are reluctant to rule on questions of
achievement and aesthetics; 24 even with more mundane works, such as
compilations, some reluctance persists. -8 Where copyright is denied-as
in the case of maps prepared without independent exploration-the
judgment generally relates to insufficient labor rather than to insubstantial
achievement. 26 Indeed, the cases state rather specifically the limited
nature of the requirement of product value. The often cited case of Alfred
Bell & Co. v. CataldaFine Arts, Iw.2 7 held:
All that is needed to satisfy both the Constitution and the statute is that the "author"
contributed something more than a "merely trivial" variation, something recognizably
"his own"..... . No matter how poor artistically the "author's" addition, it is enough
if it be his own.28
This minimization of the originality requirement was restated in the
recent case of Harcourt,Brace & World, Inc. v. Graphic Controls Corp.?
More interesting than the statement of this rule in Harcourt,Brace was
the particular work given protection. The court held that printed answer
sheets, designed for use in conjunction with student achievement
examinations and for scoring by optical scanning machines, could be
copyrighted. The court, noting that the area of originality was limited,
24. See Bleistein v. Donaldson Lith. Co., 188 US. 239 (1903).
25. Gornan, supra note 3, at 1603.
26. See Part ][(A) (2) infra. But see Donald v. Zack Meyer's T.V. Sales & Serv., 426 F.2d
1027 (5th Cir. 1970), cert. denied, 400 US. 992 (1971), where the court ruled that the
requisite originality was lacking in plaintiff's set of business forms which represented only a
slight revision of preexisting forms.
27. 191 F.2d 99
(2d Cir. 1951)
28. Id. at 102-03 (citation omitted).
29. 329 F. Supp. 517 (Si.DN.Y. 1971). This case by implication supports copyright
protection for computer programs.
nevertheless found that the designer had exercised discretion in placing
the answer grids, in deciding which instructions to include and what
information to solicit from the student, and in preparing a code to relate the
answer grids to the exam questions.
While it may be contended that the area of copyrightable works should
be expansive, with fine tuning being made in the determination of
infringement,30 Harcourt,Brace stretches originality quite far. The answer sheets
had to be designed to meet the capabilities of the scoring machine, a
restriction which placed limits on the size of the paper, the size and
placement of the grids, and the instructions included. The examination
question books affected the number of answer grids included, as well as
the type of code devised to correlate questions to answer grids. Finally,
the needs of the school systems ordering the forms suggested the
information to be requested from the students. The limited area for originality
with which the author began was thus further limited by the needs of the
machine, the examination, and the purchasers. The contribution of the
author did not seem to go beyond grid placement and type face selection.
Arguably, the court could have denied copyright protection for the answer
sheets on the ground that this contribution is little more than typographical
ornamentation, for which a copyright is not granted. 31
Backing away from these outer reaches, there should be little trouble
in showing that a directory meets the product value test of originality.
Still, there are two possible hurdles that should be considered. First, a
court might look to the use made of the work to determine its value and
conclude that copyright is inappropriate. For example, in Surgical Supply
Service, Inc. v. Adler,32 Judge Van Dusen held that a combination trade
catalogue, price list, and order blank form failed to qualify for copyright
protection. While recognizing the general rule that compilations are
copy30. Gorman, supra note 3, at 1603-05; Goldstein, Copyright and the First Amendment,
70 Colum. L. Rev. 983, 1027-28 (1970).
31. 37 C.F.R. §202.1(a) (1972); see Alberto-Culver Corp. v. Andrew Dumon, Inc., 466 F.2d
705, 711 (7th Cir. 1972); M. M. Business Forms, Corp. v. Varco, Inc., 347 F. Supp. 419, 424
(S.D. Ohio 1972), aff'd, 472 F.2d 1137 (6th Cir. 1973). Another ground for denial may have
been the "utilitarian function" doctrine of Brown Instrument Co. v. Warner, 161 F.2d 910
(D.C. Cir.), cert. denied, 332 U.S. 801 (1947), not fully distinguished by the Harcourt court.
Under that doctrine, copyright has been denied to forms used only for machine print-out
data. To give protection to the forms might extend protection of the machine-which treads
on the province of patent. See also Baker v. Selden, 101 U.S. 99 (1879); Taylor Instrument
Co. v. Fawley-Brost Co., 139 F.2d 98 (7th Cir. 1943); 37 C.F.R. § 202.1(c), as amended
38 Fed. Reg. 3045 (1973). Some support for the Harcourt decision can be drawn from the
analysis of copyright protection for computer programs in Note, Copyright Protection for
Computer Programs, 64 Colum. L. Rev. 1274, 1283 (1964).
32. 206 F. Supp. 564 (E.D. Pa. 1962), rev'd on other grounds, 321 F.2d 536 (3d Cir.
rightable, the court found the product value to be insignificant:
"Although it would appear very little originality is required to render this
proposed price list the proper subject of copyright, a simple price list is
not an original work in the 1950's or 1960's.1 33 The price list was found
to be of "no benefit to mankind" and to be not only "devoid of genius"
but also lacking "any real creativity or literary merit." Rather, the list
was a mere statement of articles and products. The holding in Surgical
Supply suggests that the quantum of originality can change for particular
works as societal conditions evolve. By 1962, a standard promotional item
-a price list-was no longer sufficiently original; its only value was to
promote sales,34 not to promote human knowledge.
The thrust of the decision in Natioual Telegraph News Co. v. Western
Union Telegraph Co. 3 -- decided before the present statute was enacted
-is similar. In this case, the court denied copyright protection to Western
Union for the content of messages-primarily news items--sent over the
"ticker" system. The value of these messages was a time value, that is,
Western Union could transmit news before it became generally available.
The court found that the work was a "product of opportunity" not a
"product of originality."3 6 A printed tape kept only one hour did not
merit a monopoly; without drawing a clear line, the court impliedly
defined the requisite product value in terms of the duration that a work
would be used or kept.
A second obstacle to meeting the product value test concerns the
quantity of words needed to qualify for copyright. In order to avoid freezing
basic word combinations which are needed for free communication,, 7
small phrases-unless particularly creative--cannot be protected. For
example, even if defendant lyricist copied the phrase "night and noon"
from plaintiff's song, there could be no infringement, for such a common
phrase is not susceptible of copyright.3 8 A precise quantitative floor is
not placed for copyright protection; rather, the degree of creativity
dis33. Id. at 569.
34. The court did not discuss the decision in Bleistein v. Donaldson Lith. Co, 188 US.
239 (1903), which held copyrightable an advertising poster; Surgical Supply is not
necessarily a contradiction, as the item and the year involved in the case-both different from
those in Bleistein-led to the denial of copyright.
35. 119 F. 294 (7th Cir. 1902). The court, operating under an earlier statute, did not
consider directly whether news is a proper subject matter for copyright. The court did
provide a remedy under an unfair competition theory.
36. Id. at 298.
37. This problem is similar to the Morrissey doctrine, discussed in Part I(A)(2) infra,
and the demands of the first amendment, discussed in Part MI1(B) infra. Similar
considerations appear in the denial of copyright to titles. See Nlmmer, supra note 15, § 34.
38. O'Brien v. Chappel & Co., 159 F. Supp. 58 (SID.N.Y. 1958); see B. Kaplan, An
Unhurried View of Copyright 46 (1967) [hereinafter cited as Kaplan].
played in the word arrangement is weighed both against the number of
words used and against the danger of freezing key phrases.
The introduction of computers to the preparation of directories should
not generally affect whether the product value test can be met. By
definition, under this test the court is looking to the end product rather than
to the means of production. That the ordering or lay-out may be affected
by the needs of the machine should cause little concern. The Harcourt,
Brace court looked directly at the value of the product, apart from the
demands of the machine that would receive the answer sheets. The
National Telegraph court looked to the value of the messages, virtually
ignoring the fact that the recently invented "ticker" machine had
transmitted and printed the copy.
However, in certain cases, the two obstacles discussed-the absence of
intrinsic value and the quantitative inadequacy of the authored
phrasemay become more important. The acceleration of production made possible
by computers may lead a court to decide that certain compilations,
particularly street directories, are no longer entitled to copyright protection. Or
if, as projected," remote access terminals tied into large information data
bases become widely available, the requisite contribution for copyrighting
directories-which would perhaps only be the hard copy print-out from
this same system 4 -should increase. For the directory print-out may be
reduced to the function of the ticker tape in National Telegraph and be
intended only for brief use. Similarly, as production is accelerated, the
concept of an uncopyrightable small group of words might be revised
upwards.42 Such revisions would most strongly affect the copyrightability
of literary works-which the computer could also produce 4"-where word
arrangements are the essence of the copyrighted expression. With
directories, the basic word units are facts, already in the public domain; it is
the compilation of such facts-which often can be stated only one way
and often are presented without the addition of other words-that is to
At present such problems remain speculative. The product value of the
computer-produced directory should be measured according to the
standard used for manually produced compilations. Given the specific
con39. Nmuner, supra note 15, § 10.2.
40. Kemeny, Large Time-Sharing Networks, in Greenberger, supra note 12, at 1-12;
Project, supra note 7, at 1024-26.
41. Query, under the present statute-or under the Revision Bill, S. 1361, 93d Cong., 1st
Sess. (1973)--can the first person to have a compilation appear on a console screen get a
copyright (if some computer record could be filed with the Register of Copyrights)?
42. The Morrissey doctrine, discussed in Part III(A) (2) infra, more fully explores the
non-copyrightable status of certain word combinations.
43. Cybernetic Serendipity 53-62 (J. Reichardt ed. 1968) [hereinafter cited as Reichardt].
gressional intent to protect directories under section 5(a) and given the
ability of a court to adjust the degree of protection afforded once a
copyright is granted, the first element of originality-the product
valueshould continue to be a lenient requirement.
2. The Labor Value Test
The principle that originality involves a significant effort by the author
is demonstrated most clearly by the map cases. In the important case of
Amsterdam v. Triangle Publications, Inc.,'" the Third Circuit Court of
Appeals ruled that a cartographer, in order to secure a copyright, must
add to his map original details ascertained through the "sweat of his
own brow." The test of originality is not met if the mapmaker simply
combines or redesigns pre-existing maps. While this decision has been
strongly criticized,4 5 its doctrine still has vitality.40 Moreover, Amsterdam
brought to the surface a requirement that had been applied implicitly by
other courts to different types of works.
For example, the leading case in the area of telephone directories
contains this strain of "sweat of his own brow." The court in Leon v. Pacific
Telephone & TelegraphCo0 held valid the copyright of the San Francisco
and East Bay telephone directories. In its opinion, the court described the
money and labor expended in the preparation of these directories,
concluding that the task was an "expensive, complicated, well-organized
endeavor, requiring skill, ingenuity, and original research.' 8 Such activity,
the court concluded, was entitled to copyright protection. An even clearer
statement is found in Jeweler's Circdar Publishing Co. v. Keystone
PublishingCo.,49 where the Second Circuit Court of Appeals stated: "The
right to copyright a book upon which one has expended labor in its
preparation does not depend upon .. .anything more than industrious
collection. The man who goes through the streets of a town.., acquires
material of which he is the author."O Because the directories in these
cases had both utility and economic worth, the works might have been
protected primarily due to the product value. Nevertheless, the courts
in justifying the copyrights directly emphasized the task of collection
and the task of production.
It is certainly questionable whether this labor value test can be met
once a computer is deployed to compile and print directories. Two
subordinate questions must be faced, only one of which can be authoritatively
answered. First, can a copyright be granted for a work produced primarily
by a machine? Second, should the conception of requisite labor be altered
to reflect the advance in technology?
The fact that a machine essentially produces a work should not bar
copyright protection. In the landmark case of Burrow-Giles Lithographic
Co. v. Sarony,5 ' the Supreme Court held that a photograph can be an
original work of art and thus be entitled to copyright. Plaintiff's efforts in
producing the picture included posing the subject, arranging the
background, arranging the lighting, and preparing the print; an idea was given
expressive details and was executed. More recently, in Time Inc. v.
Bernard Geis Associates5, 2 similar efforts of preparation and on-location
work justified copyright protection for a movie, even though the event
recorded-which gave the film its critical importance-was not
anticipated by the photographer. "Photographs," of course, were specifically
included in the copyright statutes5 controlling the decisions in these cases.
By including that term, Congress undoubtedly appreciated that protection
was being given for works produced jointly by man and machine. While
directories were also specifically mentioned in section 5(a), "directories"
were included in the Act before the advent of automation. 4 Nevertheless,
use of a machine to produce a work otherwise protectable under the Act
should not, by itself, preclude copyrightability, since machines were in
use, at the time of the passage of the Act, to produce protectable works.
The question that remains is whether use of labor-saving machines for
directories should bear on the copyrightability of this type of product.
If the reasoning of the photography cases can be applied-and these cases
do seem most closely analogous to computer-produced directory problems
-then protection should continue to be provided for directories. In the
task of preparing a directory, the human author is faced with decisions and
labors comparable to those familiar to photographers. The basic structure
of the directory must be conceived, a computer program developed, an
information input procedure arranged, and a final format for the directory
51. 111 U.S. 53 (1884).
52. 293 F. Supp. 130 (S.D.N.Y. 1968).
53. See 17 U.S.C. § 5(j), (m) (1970).
54. Directories are also covered by the Revision Bill. See S. 1361, 93d Cong., 1st Sess. § 103
designed. Some of the tedious tasks once performed by human labor have
been automated; if a sufficient data base is available, even the collection
of information may be automated. Still, there is room for the human
contribution. There may be less "sweat of the brow" but there are at least
compensating administrative headaches to be overcome.
3. The Tests of Originality: Conclusion
Directories should still satisfy the requirement of originality, even
when computerization minimizes the clerical effort of the human author.
The mechanics of preparation do not, as yet, alter the contribution of the
compilation. While an author can be greatly aided by computerization,
the human contribution can nevertheless satisfy the minimal requirement
that the product be affected "by the personal influence of the author.""
As automation evolves, the human effort may decline, as indeed may the
value of directories. At that point, a different result could well be
appropriate (although a decline in directory output is likely to precede this
eventuality). For the present, the traditional reasons for acknowledging
the originality of directories 5 should prevail, notwithstanding the
assistance of computers in their production.
The consideration of the ability of computer-produced directories to
satisfy the requirement of originality assumed that computers can be
"authors," under both the Constitution and the Act, or, at least, that use
of computers should not make impossible a finding of authorship. This
assumption merits some examination, although many of the observations
to be made were necessarily raised in the discussion of originality.
There are really two situations to be considered. First, a computer may
be used by a human author in order to accelerate his production or,
perhaps, to prepare works that otherwise would not have been undertaken.
In this situation, the computer ultimately prints out the work to be
copyrighted, but this production is informed by human directions. Under
present law, there should be little difficulty in finding "authorship." The
Supreme Court has defined an "author" as "'he to whom anything owes
its origin;' ,,51 a similar definition has been given to the term as it appears
in the statute. 8 When a man uses a machine to simplify the tasks of
production, that man should still be found responsible for the creation
of the work. Reliance on time-saving equipment or even on equipment
which permits new types of creations does not eliminate the minimal
intellectual contribution which an author is expected to provide."' While
there may be a change in the type of human contribution, human control
of a machine or of a mechanical process does meet the test of authorship."'
Indeed, changes in technology have occurred before the computer age,
and the copyright statute has been applied-or is likely to be applied-to
cover a variety of works involving recently developed production
With directories, the authorship requirement should raise few problems
when a computer is used to assist in production. Compilations generally
have involved the labor of many people. The employer of those people
is entitled to copyright protection for the product if the product was a
work made for hire 0 -- that is, works for which an "employer possessed
the right to direct and to supervise the manner in which the work was
being performed."' When the employer, in effect, replaces certain
workers with a computer, there is little reason to deny him continued status
as an "author." His supervision and sponsorship of the project continue.04
The second and more interesting situation to be considered concerns
the requirement of authorship where the computer approaches the
function of creating works. Projects have been completed in which computers
have been fed information about a given art form and programmed to
create works of that type.6 5 While the final output depends in large part
upon the initial input, devised by humans, the separation between human
contribution and computer creation widens. Computers can be instructed
to make random selections for the placement of objects in a drawing or
for the selection of words in a poem. At a certain point, the machine is
making those determinations normally associated with an author's creative
contribution.6 6 At that point, is there an author? And, if so, who is that
It should be possible to contend successfully that the human
programmer nevertheless remains the author, eligible to copyright "his" work. In
a recent motion picture case, for example, a copyright was allowed where
the amateur photographer picked the camera angle, adjusted the settings,
and recorded events-with no inkling of the events the camera would
record and with no idea of creating a copyrightable work. 7 This decision
effectively rewards a human author who had the good fortune to capture
in his camera an historical event. By analogy, the person who operates
a computer which eventually produces something of value should be able
to claim authorship. Even when the computer does perform random
creations, it requires a human to program the machine for such random
selections;, 8 in addition, a human must review the output, both to refine
the program used and to decide which of the works, if any, should merit
publication. The computer may be creating the work subsequently
popularized, but, at least at the present time, the computer requires human
assistance-if not direction-at both the input and output stages.
Moreover, copyright protection is granted to an author for his works
in order to encourage the creation of writingY0 In the case of works made
for hire, authorship is imputed to the employer who directs production,
partly to encourage such coordinated efforts of creation. The same policy
goal still has a place in the context of computerized creation: to impute
authorship to the people responsible for the computer-produced works
will serve to encourage the further production of such works and, even
more, to encourage expenditures on computer experimentation. 0
III. LIMITS TO COPYRIGHT PROTECTION
Although directories-produced manually or mechanically-appear to
qualify for copyright protection under the statute and under the basic
tests of originality, that protection may be strictly delimited or even
denied in order to avoid inhibiting, or in order to greatly encourage, the
efforts of other authors. Three doctrines, while differing somewhat
conceptually, are all directed at encouraging the flow of words and the
exchange of ideas. Each of these doctrines-the idea/expression
dichotomy, the Morrissey holding, and the reach of the first amendment-raise
policy considerations that may militate against continued copyright
protection for directories. The force of these arguments therefore must be
analyzed in some detail.
The Idea/ExpressionDichotomy and the Morrissey Doctrine
1. Ideas and Expression in a Directory
The idea/expression dichotomy may be succinctly stated: what
copyright protects is the expression of an idea, not the idea itself. Anyone
can pluck an idea from a copyrighted writing and incorporate that idea
into another work entitled to copyright protection; so long as the taking
is clean, and the sinews of expression do not cling to the idea, there is no
violation.7 ' But while the doctrine may be easily stated, in application the
dichotomy represents a most difficult abstraction. 2
The problem as it relates to literary works was clarified in a classic
statement by Judge Learned Hand:
Upon any work, and especially upon a play, a great number of patterns of increasing
generality will fit equally well, as more and more of the incident is left out. The last
may perhaps be no more than the most general statement of what the play is about,
70. See Project, supra note 7, at 977. If, however, as a matter of policy it is decided not
to encourage such efforts or not to give protection to computer-produced works, then that
decision may be implemented by legislatively denying that computers can be "authors"
and stating that an author can not use a computer. Rather than working through a judicial
test of originality or some special test of infringement for computer-produced works, a
statutory provision could accomplish the desired goal with the least disruption to established
71. See Scott v. WKJG, Inc., 376 F.2d 467, 469 (7th Cir.), cert. denied, 389 U.S. 832
(1967); Sheldon v. Metro-Goldwyn Pictures Corp., 81 F.2d 49, 54 (2d Cir. 1936), aff'd, 309
U.S. 390 (1940).
72. Peter Pan Fabrics, Inc. v. Martin Weiner Corp., 274 F.2d 487, 489
(2d Cir. 1960)
and at times might consist only of its title; but there is a point in this series of
abstractions where they are no longer protected, since otherwise the playwright could
prevent the use of his "ideas," to which, apart from their expression, his property is
In developing this formulation, Judge Hand recognized that a play-like
most literary works-adds incident, detail, and nuances to one or more
basic themes. Others can explore those themes or ideas, but the
embellishments and the verbal expression of the ideas are protected.
Directories, of course, are quite different from literary works. The
amount of elaboration, creativity, and artistry demonstrated by a compiler
is limited. Generally, there is but one essential idea involved-for example,
a compilation of names accompanied by addresses and phone numbers, or
a dossier containing employment, education, and credit records. Once
this single idea is perceived, the author executes it; in this execution,
there are but few variations that can be made without altering the idea.
The scope of expression is quite narrow.
Curiously, the idea/expression dichotomy has often been ignored by
courts in directory cases. In Leon v. Pacific Telephone & Telegraph Co.,'*
for example, the court held that an alphabetically organized phone book
for the San Francisco area was infringed by a numerically organized
directory for the same area. The court did not identify idea and
expression; rather, defendant's use of a copyrighted work-to make a competing
directory which the plaintiff itself may eventually have prepared-was
considered unfair. It is possible to view plaintiff's idea as the combination
of names, addresses, and phone numbers for one city and his expression
as an alphabetical arrangement.75 To some degree, this complements Judge
Hand's "abstraction test" for literary works. In a play, for example, the
stock characters and basic themes selected comprise the idea, but more
detailed plot arrangements fall into expression.7" Under this analysis, no
infringement should have been found in Leon. The defendant may have
taken the idea-that is, the choice of which public domain facts to collect
-but a different arrangement, a different expression was used. Perhaps
the defendant should have been held for misappropriation; 77 still, a
copyright infringement did not lie.
Furthermore, if the plaintiff's idea is seen as the alphabetical
combina73. Nichols v. Universal Pictures Corp., 45 F.2d 119, 121 (2d Cir. 1930).
74. 91 F.2d 484
(9th Cir. 1937)
75. Id. at 485. Arguably, the choice of cities and towns to be included may be an aspect
of expression; however, in the Leon case the infringing work was aimed at the same area.
76. With a directory, often little more is added once this expression-assumed to be the
arrangement-is contributed. On the other hand, the words chosen by a playwright to clothe
the idea and the plot are generally seen as the artistic creation.
77. Cf. Gorman, supra note 3, at 1571.
tion of names, phone numbers, and addresses for a certain locality, it is
clear that even the idea used by the defendant was distinct in that the
second work was a numerical directory.78 In this situation it is most
difficult to define the nature of the author's expression, since an alphabetical
listing of specified facts can seemingly be expressed in few ways. As
typography is not susceptible of copyright,71 typographical flourishes
should not comprise the expression-for expression is the copyrightable
part of a work. Lay-out and graphic arrangements, although seemingly
akin to typography, may be protected. In the Harcourt,Brace case,80 for
example, the author's contribution which justified copyright protection
appeared to be little more than placement of grids on an answer sheet
and inclusion of lines to elicit certain information. An attractive
arrangement of compiled facts, designed also to provide maximum utility, might
therefore be deemed to constitute expression.8 ' Under this view, if a
compiler with the idea for an alphabetical directory had used plaintiff's
book as a source of data, but then used a different graphic format, no
infringement should follow. Under present law,82 however, infringement
would lie. The offense in Leon was unfair use of plaintiff's directory or,
more precisely, of plaintiff's labors. The court was concerned primarily
with a type of unfair competition, and, ignoring the idea/expression
dichotomy, rather automatically afforded copyright protection.
Perhaps the rule for a directory-as presently applied by the
courtsmight be more accurately called an "idea/execution" distinction, for
expression in a directory impliedly is deemed to rest on the accurate
gathering of facts and on the placement of each fact in the proper
position vis-i-vis other facts. Given the limited variations that are possible
once the plan for ordering the facts is set, the essential author-like
contribution mentioned by the courts is one of effort, not of expression.8"
Within this framework, others can take the idea for the directory and
independently execute the idea, even if the finished products are
identical. This approach comports with the nature of directories; as
collections of public-domain facts-and facts needed by society--these works
78. See Nimmer, supra note 15, § 41.
79. See note 31 supra.
80. 329 F. Supp. 517
; see note 29 supra and accompanying text.
81. See Gorman, supra note 3, at 1584-89. Contra, PIC Design Corp. v. Sterling
Precision Corp., 231 F. Supp. 106, 111 (S.D.N.Y. 1964) (visual impact of trade catalogues could
not be protected by copyright in situation where format could not be greatly varied and still
serve business needs).
82. See Part IV(A) infra.
83. The type of directory being considered is the simple collection of facts. See note 2
supra. Broader protection-and a broader boundary of expression-may be appropriate
where the compiler is more selective in the choice of information included than is seen in
a phone directory. Cf. Lurvey, supra note 4, at 287-89.
cannot be granted broad monopolies which might hamper the flow of
This emphasis on effort or independent execution by an author
approximates one standard test for infringement, discussed further in
Part IV below. The idea/expression distinction is related in a practical
way to infringement in that an author's expression must have been
copied for infringement to lie. The distinction, however, was not designed
primarily as a test for the adjudication of infringement. Conceptually,
there is a difference between the idea/expression dichotomy, which
centers on a concern over improper monopolies on ideas, and infringement,
which more directly focuses on competitive losses. And, in the interest
of orderly analysis, the isolation of ideas from expression should precede
a finding of infringement; this leads to a determination first of what
copyrights actually protect before the issue of injury is faced.88
Therefore, it is worthwhile to pursue more carefully the application of the
idea/expression dichotomy to directories.
2. The Morrissey Doctrine
In examining the effect of the idea/expression problem, it is necessary
to confront the doctrine of Morrissey v. Procter & Gamble Co.e and
its elaboration in Herbert Rosenthal Jewelry Corp. v. Kalpakian8. In
Morrissey, the First Circuit Court of Appeals held that where an idea
can be expressed in only a very limited number of ways-so that
extension of copyright protection to an expression of the idea could
effectively create a monopoly in the idea itself-copyright should be
denied for any and all of the few possible expressions. This case involved
rules for a sales promotional contest, in which prizes would be awarded
according to social security numbers. Defendants ran a contest similar
to the one planned by the plaintiff and, in effect, tracked the wording
of plaintiff's rule (although access to plaintiff's work was an issue in
the case). While the expression of the idea for the game normally would
be copyrightable, the court concluded that this idea could permit "if
not only one form of expression, at best only a limited number."8 8
Therefore, the wording of the rule was not protected lest the idea be
In Kalpakian, the Court of Appeals for the Ninth Circuit picked up
the Morrissey doctrine and apparently marched forward. The facts of
the case are particularly relevant to the directory problem, for there
was only one basic idea behind the work involved (without the added
layers of abstractions seen in literary works). Plaintiff jeweler designed
a jeweled bee pin; defendant, probably aware of plaintiff's popular
model, designed several bee pins. While the pins varied in size-as did
the individual jewels arranged to form each bee-plaintiff argued an
infringement occurred if an ordinary observer could confuse the pins of
the parties. Although the court's decision reveals a desire to prevent
using copyright as a substitute for patent 8 9 --which desire may have
affected the decision-the holding does rest on the Morrissey doctrine.
Finding that the idea and expression for a bee pin are inseparable-for
only one arrangement of jewels was considered able to represent a
beethe court concluded that no protection could be extended; to grant a
monopoly to plaintiff's expression would be to grant a monopoly over
In one sense, Kalpakian did not go so far as Morrissey. In the latter
case several expressions-albeit a very limited number-were admittedly
possible; the Kalpakian court, however, emphasized that testimony
indicated only one expression was possible. Nevertheless, the approach in
Kalpakian has far-reaching implications: the court gave the expression
of the bee a narrow interpretation and the idea a very broad view.
That is, only the arrangement of jewels was seen as the expression;
the idea was seen as a jewel-encrusted bee. It is the court's delineation
of the idea and the expression which determines the application."'
88. 379 F.2d at 678.
89. The denial of copyright is sometimes explained as necessary to preserve the realm of
patent laws. See note 31 supra.
90. By viewing the idea in very general terms-for example, a combination of jewels to
represent an animal-it is possible to find protectable expression. In Roth Greeting Cards v.
United Card Co., 429 F.2d 1106 (9th Cir. 1970), the court held that although the words used
in a greeting card were in the public domain, the integration of common words into the card
produced a copyrightable work: "[Piroper analysis of the problem requires that all elements
of each card, including text, arrangement of text, art work, and association between art work
and text, be considered as a whole." Id. at 1109; cf. Goldstein, supra note 30, at 1018; Note,
Copyright Protection for Computer Programs, 64 Colum. L. Rev. 1274, 1286 (1964).
The Kalpakian court did compare the various pins, but decided only
that "[t]here is no greater similarity between the pins ... than is
inevitable from the use of jewel-encrusted bee forms in both.""1 Still,
differences can be imagined which would alter the value of and the
demand for the pins-and such differences might suggest a need to more
broadly describe the expression. It would seem that the color of the
jewels, the size of the pin, the type of metal holding the jewels, the type
of clasp supporting the pin, the type of jewels and, of course, the
arrangement of the jewels could all be considered possible elements of
expression. Perhaps the evidence in this case did not suggest such variations
were commercially feasible. Still, variations should be sought out before
the copyright prohibition of Morrissey is applied.
Directories, Computers and the Morrissey Doctrine
The Morrissey doctrine-that copyright should be denied where an
idea allows but a finite number of expressions-has been accepted to
date by only two circuits. 2 But if generally accepted, the implications
of this case for protection of directories seem clear; indeed, the
Morrissey court in discussing the problems of limited expression cited a
directory case. 3 Unless lay-out, pagination, symbols, or design provide
the basis for expression, 4 the idea of compiling certain known facts
can only be executed in a small number of ways. If in applying
traditional copyright law, courts made an exception for directories,s then
91. 446 F.2d at 742.
92. Although only the First and Nrinth Circuits have used this approach, the doctrine was
implicitly accepted by the Southern District of New York. See Higgins v. Baker, 309 F. Supp.
; Time Inc. v. Bernard Geis Associates, 293 F. Supp. 130 (S.D.N.Y.
1968). Compare Continental Cas. Co. v. Beardsley, 253 F.2d 702 (2d Cir. 1958), with
Morrissey v. Procter & Gamble Co., 379 F.2d 675
(1st Cir. 1967)
93. 379 F.2d at 678, citing Sampson & Murdock Co. v. Seaver-Radford Co., 140 F. 539
(1st Cir. 1905).
94. But see Amsterdam v. Triangle Publ., Inc., 189 F.2d 104
(3d Cir. 1951)
such features did not satisfy the originality requirement) ; PIC Design Corp. v. Sterling
Precision Corp., 231 F. Supp. 106 (S.D.N.Y. 1964) (visual presentation not copyrightable, in
situation where format could not be greatly varied due to needs of business).
95. Professor Gorman, supra note 3, at 1584-89, very persuasively argues that courts
should apply the copyright law with a sensitivity for the type of work involved. Under his
analysis, there is a public interest in encouraging directories which are more useful and
more attractive-and also in encouraging independent verification of these compilations.
Thus, protection should be extended to each compiler who improves existing directories, with
the proviso that some independent checking-perhaps some investigation as well-is likely
needed to escape infringement. But Professor Gorman's emphasis for preventing improper
monopolies is on the test of infringement, that is, the type of verification needed. Given the
decisions in Morrissey and Kalpakian and given the implications of computer production,
it would appear necessary to delineate more clearly the extent of the copyright in directory
the task of verification or the task of compilation might merit
protection for such works. But if the Morrissey doctrine is to apply consistently
to all types of writing, certain directories-those that can be presented
in but limited ways-might be stripped of protection.
With respect to the Leon telephone directory situation-previously
discussed in terms of the idea/expression distinction-the effect of
Morrissey should be observed. The doctrine should not bar a copyright if
the idea behind a specific compilation of facts can be presented in a
significant variety of ways. If the idea is defined as an alphabetical
listing of names, addresses, and phone numbers, that idea can be
expressed many ways9 6 only if the type of visual features mentioned above"7
are included as part of the expression. Implicitly Kalpakian rejected
this. Yet, since the area of designs, which includes costume jewelry,
presents special problems concerning patent implications, Kalpakian may
be distinguished from a directory situation. 8 However, no copyright
should be allowed for a compilation if visual arrangements are excluded
from expression and if the mode of ordering is given as an aspect of
If the idea of a phone directory is assumed to be a compilation of
names, addresses, and numbers (which would appear to be the most
logical assumption) many more expressions are possible. Beyond the
visual impact, a compiler can plan the arrangement of facts. Alphabetical
order of names, geographical zones or addresses, or numerical sequences
of phone numbers are at least three possibilities, and others might easily
be imagined. Given this assumption, Morrissey might not bar a
copyright, particularly if graphic changes alter the expression; there is
latitude for others to use the idea. Indeed, there may be encouragement
for others to prepare inverted editions of the original compilation. If
cases. Infringement looks to the fairness of defendant's conduct and, in the directory area, to
the amount of verification by the defendant. See Lurvey, supra note 4. The idea/expression
distinction more clearly examines the desirability of the initial copyright. Perhaps the
approaches operate, in effect, identically, by restricting the protection afforded fact compilations.
Still, there is a conceptual difference which directs attention to distinct policy concerns. See
note 85 supra and accompanying text; Part IV infra. A fuller description of the expression
can suggest a different test for infringement. See 67 Mich. L. Rev. 167, 170 (1968).
96. Whether an idea allows many expressions is a question of fact. Higgins v. Baker, 309
F. Supp. 635, 638
(analysis of psychiatric theories might be expressed in
limited ways). The limited expression available to a subsequent fact compiler was recognized
in W. H. Anderson Co. v. Baldwin Law Publ. Co., 27 F.2d 82, 89 (6th Cir. 1928).
97. See text accompanying notes 78-82 supra.
98. But see PIC Design Corp. v. Sterling Precision Corp., 231 F. Supp. 106 (S.D.N.Y.
1964). PIC Design might be distinguished, as the district court found that the trade
catalogues could not be altered in visual presentation. Most directories can be varied in size,
design, and layout; these factors may be classified as expression.
a second compiler treads on the expression, there would be an
infringement; if the subsequent work revealed a distinct expression, there would
be no copyright violation. Spinning off directories by exploiting the
labors of the initial compiler, however, might give rise to a state action
for misappropriation,99 unless this area has been pre-empted by federal
The appropriateness of granting protection for the mode of ordering
facts becomes less clear when the use of computers is considered. The
resources and labor of the copyright proprietor in Leon were expended
on an alphabetical directory, which can be viewed as one expression of
the idea of gathering names, addresses, and numbers; the use of
numerical ordering was an obvious alternative, but the plaintiff did not invest
the effort to produce such a work. Had computer technology been
available, alternative directories could have been produced easily. The
creation of the first directory presumes that the necessary information had
been gathered. If that information had been stored in a computer data
bank, a simple program could have instructed the machine to reorder
the information. In other words, with the aid of computers, the first
person to gather the necessary information-and with expanding data
banks, the step of gathering facts may soon become unnecessary--can
produce all expressions of the idea, assuming that the plan of ordering
is the expression. If each variation is copyrighted, the idea becomes
controlled, save to the extent that visual variations are viewed as
expressions permitting alternative works. 100 (Of course, independent
pro99. Reliance on misappropriation runs strong into the holdings in Compco Corp. v.
DayBrite Lighting, Inc., 376 U.S. 234 (1964), and Sears, Roebuck & Co. v. Stiffel Co., 376 US.
225 (1964). See also Columbia Broadcasting Sys., Inc. v. DeCosta, 377 F.2d 315 (1st Cir.),
cert. denied, 389 U.S. 1007 (1967); 2 R. Callmann, The Law of Unfair Competition,
Trademarks and Monopolies § 60.4 (3d ed. 1968). Even if it is assumed that these cases--by holding
that the federal patent system pre-empts the field of monopolies for inventions falling under
the reach of the patent clause, art. I, § 8, cl.8-apply to misappropriation of a
non-copyrightable or of a thinly protected writing, it should be possible for Congress to preserve the action
of misappropriation. Sears and Compco are addressed to the "evil" of state laws which
hamper the uniformity of federal law; misappropriation of intellectual property can be added to
that federal law (or even delegated by Congress to the states). These two cases seem to bear
more clearly on state common law copyright. Rather than preserve such protection, the
Revision Bill would broaden the federal pre-emption. See S. 1361, 93d Cong., 1st Sess. § 301
(1973). An action based on misappropriation should prove less of an inhibition to compilers
who in good faith use an existing directory than is copyright infringement. Only when there is
a commercial abuse would the tort doctrine be invoked. See generally Callmann, supra, §§
6062; W. Prosser, Torts § 130 (4th ed. 1971). Some further definition in this area should follow
the decision of the Supreme Court in Goldstein v. California, cert. granted, 406 U.S. 956
100. Some support for considering visual alterations an expression may be wrung from
Time Inc. v. Bernard Geis Associates, 293 F. Supp. 130 (S.D.N.Y. 1968). The court in this
duction of one of the expressions would not be a copyright infringement
in any event; in that sense, the control would never be complete.) 1 '
The effect of the computer, therefore, is to equate the two
formulations of expression suggested for the Leon situation; that is, variations
in both visual presentation and manner of ordering, as opposed to visual
variations alone. While the Harcourt, Brace approach' 0 2 of broad
copyrightability would cover even the visual contributions as an expression,
the Kalpakian analysis 10 3 should lead to a contrary result. The
resolution of this issue may determine whether, with computer-produced
directories, the idea can be easily monopolized if protection is given to an
arrangement of facts. Even if visual impact is an expression, reliance
on features tangentially related to the value of the directory 10 4 makes
for a thin copyright, at best; infringement begins to require a total
Implications of the First Amendment
The idea/expression dichotomy and the Morrissey doctrine, operating
to advance the aims of the copyright clause and of the statute enacted
under it, represent one type of anti-monopoly force limiting the
protection afforded authors: only expression will be copyrighted and, then,
only if ideas are not frozen. A similar force, recently receiving attention
case held the Morrissey doctrine inapplicable where copyright protection for films of the
assassination of President Kennedy would not prevent discussion of the event in other media.
A shift in the visual impact might approximate a change in the media.
101. The problem is also apparent with literary works. Although more variations on a
theme are conceivable, see Goldstein, supra note 30, at 1018 n.136, the computer can be
programmed to churn out a continuous stream of random variations. Many will not make
literary sense; some might achieve commercial acclaim. Yet, the concern is that the machine can
produce those expressions that do have literary merit, and, by printing out all such
expressions, can freeze an idea. For a description of one computer project in this area, see Reichardt,
supra note 43, at 58. Still, as the text above states, copyright prevents only copying of an
expression, not use of an idea. Should an author working independently be able to create the
same expression as did the computer, no infringement would lie. This is suggested by Judge
Hand's famous "Ode" analysis in Sheldon v. Metro-Goldwyn Pictures Corp., 81 F.2d 49 (2d
Cir.), cert. denied, 298 U.S. 669 (1936). "[I]f by some magic a man who had never known
it were to compose anew Keats's Ode on a Grecian Urn, he would be an 'author,' and, if he
copyrighted it, others might not copy that poem, though they might of course copy Keats's."
Id. at 54. That the computer can turn out so many variations may at once raise the spectre
of freezing an idea but also the likelihood that the volume of literary expression will increase,
thereby reducing the chance that an author may have seen all expressions relating to any
given idea. Independent creations of future Odes on a Grecian Urn should become more
likely, by human and computer authors alike.
102. See text accompanying notes 29-31 supra.
103. See Part III(A) (2) supra.
104. But cf. Gorman, supra note 3, at 1584-89.
from courts'0 5 and commentators,0 0 is the enforcement of the first
amendment in the area of copyright. To date, no case has held that
the amendment bears on literary monopoly. But if the first amendment
were to be energetically applied to copyright problems, the impact would
be particularly strong in the area of fact compilations.
The first amendment could operate to block copyright protection in
situations not governed by Morrissey. This is suggested by the facts
of Time Inc. v. Bernard Geis Associates.10 7 There, a Dallas resident
planned to take home movies of a presidential motorcade, but ended up
having produced the most complete photographic description of
President Kennedy's assassination. Time Inc. bought the copyright in these
films and, having printed sequences of particular frames in Life Magazine,
sought to prevent use of these pictures, as well as of graphic drawings
based on the pictures, in a book by a different publisher. The court held
that Morrissey did not block copyright for the photographs, for the
event depicted--seen as the idea-could be expressed in other ways;
that is, any author not relying on these films could describe the event
without inhibition.' While the court, in denying relief, rested on fair
use, the first amendment might have been applied to these facts. 0 0
Noting that the impact of photographs was stronger than that of verbal
reports and that no other photographs recorded the event, the court
could have held widespread replication of the pictures was necessary
for a democratic dialogue; even though this would involve the use of
105. Lee v. Runge, 404 U.S. 887 (1971) (Douglas, J., dissenting), denying cert. to 441
F.2d 579 (9th Cir. 1970); Rosemont Enterprises, Inc. v. Random House, Inc., 366 F.2d 303,
(2d Cir. 1966)
(Lumbard, C.J., concurring), cert. denied, 385 U.S. 1009 (1967); Walt
Disney Prods. v. Air Pirates, 345 F. Supp. 108, 115-16 (NJ). Cal. 1972). Chief Judge Lumbard
would appear to be the first judge to raise the possibility of a first amendment application to
copyright. But see Nbnmer, A Comment on the Douglas Dissent in Lee v. Runge, 19 Bull.
Copyright Soc'y 68, 72 (1971). For a report of an unsuccessful attempt to apply the free
exercise of religion clause to copyright problems, see Robert Stigwood Group, Ltd. v. OTeilly,
346 F. Supp. 376, 382-84 (D. Conn. 1972).
106. Goldstein, supra note 30. See generally Ninmer, Does Copyright Abridge the First
Amendment Guarantees of Free Speech and Press?, 17 U.C.L.A.L. Rev. 1180 (1970); Sobel
Copyright and the First Amendment: A Gathering Storm?, 19 ASCAP Copyright L.
Symposium 43 (1971) [hereinafter cited as Sobel].
107. 293 F. Supp. 130 (S.D.N.Y. 1968).
108. In the same way paraphrasing can infringe a literary work, reliance on the photos
to prepare sketches can be infringement. Id. at 144. However, the court in Time Inc. did not
fully answer the argument that photographs in some cases may be the only real way to
describe an idea. That is, if the idea is defined as more than the mere event-but includes,
e.g., reactions of onlookers and appearance of participants--then perhaps Morrissey should
apply. Cf. Nimmer, supra note 106, at 1197 (photographs of alleged massacre at My Lai are
needed for democratic dialogue).
109. Nimmer, supra note 106, at 1201.
plaintiff's expression, such use, by providing information otherwise
unavailable, is required by the policies of the first amendment.110 This
analysis would suggest a copyright should be limited"' if extensive
protection of expression inhibits the flow of facts and ideas necessary for
A more striking illustration of when the first amendment might impose
new constraints on copyright is provided by Rosemont Enterprises, Inc.
v. Random House, Inc."2 There, a corporation effectively controlled by
Howard Hughes purchased copyrights on five articles about him and
subsequently, by alleging infringement, tried to enjoin publication of an
unauthorized biography of Hughes. The court denied a preliminary
injunction, primarily because plaintiff did not demonstrate probable
success on the merits; the biography likely constituted fair use of the
articles rather than an infringement of them. A concurring opinion by
Chief Judge Lumbard," 3 however, perceived the first amendment
issue: if a person could amass copyrights on articles describing the same
theme, a monopoly over the theme might be gained. Whereas the
Morrissey doctrine denies a copyright to any single expression which can
freeze an idea, the facts of Rosemont reveal that a collection of
expressions each individually copyrightable under Morrissey may achieve
excessive control over an idea. Such control could interfere with the public's
rsihgohutldtofaklnlouwndaebrotuhteanproesvcernitptoiornpserosfontheanfdi,rsctoanmseeqnudemntelnyt,. 1su4ch control
The Rosemont plaintiff clearly demonstrated how copyright law could be
used to impose a prior restraint on speech and to control the release of
information. Had the court permitted this use of the aggregate of
copyrights, Hughes could have blocked public discussion about himself; such
a restriction on free speech-especially if imposed before the speech
occurs through an injunctive prior restraint-is prohibited, save in
treme situations." 5 Similarly, with broad copyright protection, Hughes
could have monitored the release of information about himself; from
among the copyrighted works, he could have determined which to
republish and when this would be done.11 0
The implications of the Rosemont case and, to a lesser degree, of
Bernard Geis may have some bearing on the protection which should
be given to computer-produced directories. To be sure, the necessity,
if any, of resorting to the first amendment in order to circumscribe the
copyright protection given to a particular compilation would depend
largely upon the degree of protection previously afforded to that work.
This is illustrated by the case of the telephone directory, discussed in
the previous sections.117 Should the idea for the directory be defined as
an alphabetical listing of names, accompanied by phone numbers and
addresses, then only the visual impact remains as protected expression.
With such a thin monopoly, there is little interference with free
communication, so that the amendment should not be invoked. If the idea
is seen as a collection of names, numbers, and addresses, then each plan
of ordering-such as alphabetical or numerical-becomes part of the
protectable expression. Should a computer produce directories
employing all feasible plans of ordering and should each expression be put
forth for copyright, use of the idea may be hampered. However, this
prospect should spring the Morrissey defense; 1 8 without recourse to the
first amendment, the idea may still be kept unmonopolized.
Therefore, the common variety phone book apparently would seem
to trigger few first amendment controls. The depth of the protection
placed on such works is shallow, and, consequently, the use of these
directories by others is only slightly impeded. Indeed, save for cases
of commercially competing directories prepared in such a way as to
suggest misappropriation, there are few suits for infringement. Clearly,
the facts collected in these simple works can be appropriated for public
debate;1 1: 9 free speech is in no way restricted. But are there other
situa115. Cf. New York Times v. United States, 403 U.S. 713 (1971); Freedman v. Maryland,
380 U.S. 51 (1965). But cf. Sobel, supra note 106, at 79-80.
116. Goldstein, supra note 30, at 986, describes this as the evil of "enterprise monopoly"
-where one entity has an aggregate of statutory copyrights for works on the same subject.
117. See Parts II and IM(A) supra.
118. See Part III(A) (2) supra.
119. See Nimmer, supra note 15, § 29.1. Preparation of the phone book does not require
subjective judgment in the selection of facts. Where subjective judgment is involved, use of
the facts, except as leads, may raise an infringement. Id. § 29.5. But cf. Lurvey, supra note
4, at 289.
FORDIJAM LAW REVIEW
tions in which the first amendment might impose new barriers to copyright
for a single compiler?
Other types of compilations may present first amendment issues.
Consider, for example, the situation in Triangle Publications, Inc. v. New
England Newspaper Publishing Co. 120 Plaintiffs' publication included
various charts, each of which contained specific facts about completed
horse races. While plaintiffs had exercised skill, judgment, and
coordination of labor in order to produce these copyrightable syntheses, the
individual items of data contained in the charts were in the public
domain. Still, defendants were held to have infringed when they used
these facts; even though defendants had altered the wording somewhat,
they had tracked the selection and arrangement for the facts devised
by plaintiffs. Thus, the court gave some private control over facts
supposedly in the public domain.
Perhaps racing data is not basic to the democratic dialogue, which
free speech is to foster. 121 Nevertheless, the Triangle Publications case
does show that a court may protect historical facts once special efforts
are made to assemble the information. If the facts involved clearly
appear relevant to public concerns, then inhibiting the use of those facts
may constitute a violation of the first amendment.
With computer technology, compilations can be prepared which gather
and correlate a broad range of social and economic data.12 Recently,
tfhoer erxataemopflep, aTrthiceulNaerwcriYmoersk inTiemaecsh ppuoblilcieshperdectainbcletsinanNdewmYaposrkdeCpiitcyti.n2g1
With the aid of these figures, certain assumptions about police
administration, street safety, and community control can be properly
reevaluated. To what extent can this important data be restricted? It is certain
that anyone who independently compiles this data, without leaning on
The Times, may use their own findings without any limitation. 2 1 On
the other hand, reliance on the labors of others-especially if the
selection and arrangement of facts required great effort and significant
judgment-has been held to constitute an infringement" or
misappropriation." 6 Therefore, if The Times may copyright these
compilationswhich is not fully clear under Triangle Publications, since the court
there emphasized the skill and labor underlying the copyrightable
workuse of the information may be restricted. But if commentators and
public leaders cannot freely use these correlations without infringing the
copyright of The Times, then debate can be thwarted. 2 Reporting on
the inferences of the data without tracking the tables may avoid
infringement; yet, as in Bernard Geis, this alternative may communicate
less than does the copyrighted work. Thus, there may be a situation in
which free speech should prevail over a literary monopoly. This would
be particularly true if one proprietor should amass several copyrights
covering data in the same area-through a variety of correlations, for
example-and thereby gain broad control over the information so treated
(unless checked by the Morrissey doctrine).
The use of computers by newspapers for fact compilations and for
information processingir certainly raises new copyright problems, many
of which may spill over into the first amendment area. Other computer
productions raise similar problems. A corporation controlling a large
number of dossiers can determine the release of personal information"
when exposure of such facts may be in the public interest.""o Compiling
biographical facts in a computer may, to the extent that common law
copyright applies, inhibit the release of such information,"2 ' and the
computer makes possible storage of vast amounts of information.
Perhaps in time, computers may be able to author biographies-once
programmed and fed necessary data; theoretically, at least, the machine
ought to be able to produce all possible expressions for certain of the
facts, thus monopolizing some biographies. 32 As of now, the line between
copyright protection and first amendment free speech has yet to be
judically drawn; a "balancing" is still required.ss Nevertheless, the
possibilities of computer-produced compilations, especially in the
province of news, should shortly bring the first amendment into the
copyright area, as it has been brought into the realm of other state and
federal regulatory interests. 4
EXTENT OF COPYRIGHT PROTECTION
Copyright law, as applied to directories, has centered primarily on
some notion (often unexpressed) of "fair use."1'3 5 Courts generally glide
quickly over the potential problems lurking in the originality
requirement, glance past the idea/expression dichotomy, and focus instead on
the contribution-usually in terms of labor-of each party. "0" If the
plaintiff's work required great effort and expense, and if the defendant's
work, while benefiting from plaintiff's endeavor, added little of
substance, infringement will be found. Implicitly or explicitly, courts are
balancing the equities presented by each situation and are deciding
when defendant's use of a copyrighted work appears parasitic.
132. See generally Reichardt, supra note 43.
133. See Nimmer, The Right to Speak from Times to Time: First Amendment Theory
Applied to Libel and Misapplied to Privacy, 56 Calif. L. Rev. 935, 942 (1968); Sobel, supra
note 106, at 63-67, 71-79.
134. See, e.g., Rosenbloom v. Metromedia, Inc., 403 U.S. 29 (1971), noted in 40 Fordham
L. Rev. 651 (1972) (defamation laws); United Transp. Union v. State Bar, 401 U.S. 576
(1971) (state control over group legal services); Red Lion Broadcasting Co. v. FCC, 395
U.S. 367 (1969) (FCC equal time regulations); Lamont v. Postmaster Gen., 381 U.S.
301 (1965) (federal statute regulating "communist propaganda" moving through the malls).
135. The fair use doctrine is a judicial standard of fairness applied to determinations of
infringement. While a copyright affords certain monopolies to its owner, 17 U.S.C. § 1 (1970),
courts have ruled other persons can use copyrighted works in limited ways without violating
any of the statutory rights. Fair use, therefore, functions as a defense to infringement. Section
107 of the Revision Bill would codify this doctrine; that section specifies certain factors
which a court should consider in determining fair use: "1) the purpose and character of the
use; 2) the nature of the copyrighted work; 3) the amount and substantiality of the portion
used in relation to the copyrighted work as a whole; and 4) the effect of the use upon the
potential market for or value of the copyrighted work." S. 1361, 93d Cong., 1st Sess. at 8
(1973). See generally Nimmer, supra note 15, § 145.
136. Cf. Lurvey, supra note 4, at 286.
The analysis presented above in Parts II and III attempted to
uncover some preliminary questions a court should face before
considering infringement. Most important should be an evaluation of what the
first directory contributes-apart from the effort inherent in the work.
Originality, even if construed as a minimal requirement in terms of
requisite product value, should nevertheless be enforced as a
requirement. Since expression comprehends elements to be protected by
copyright, a critical step in each case should be the specific identification of
those aspects of a work which represent expression as opposed to
uncopyrightable idea(s). To be sure, the concepts of originality and of
idea versus expression merge into problems of infringement, 37 but the
problems are better treated when those concepts are respected. Building
on the discussion of copyright protection for simple directories given
in the preceding parts, Part IV tries to define the extent of protection
that these works merit. The traditional approach to infringement will
be briefly stated, followed first by a discussion of the context in which
computer-produced works must be viewed, and finally by a
determination of what should constitute infringement of a computer-produced
Infringement of Directories'38
While infringement cases involving literary or artistic works struggle
with difficult questions of access and similarity, 3 9 directory cases are,
for the most part, far less abstract. At the risk of oversimplification, the
essential question concerns the amount of independent verification
provided by a defendant.140 That is, it is generally conceded that defendant
made some use of plaintiff's work;' 4 ' it is also conceded that some use
by defendant is proper to at least check the finished work, if not to
find clues and ideas for beginning the effort. But in order to meet the
requirement of independent creation-both to constitute originality and
to avoid a finding of infringement-the defendant must do some
independent checking of the facts compiled. This checking need not reach
the level of original investigation for new facts; the effort being
encouraged is the verification of the accuracy of previously collected facts.1 4'"
A typical application of this approach is seen in Chain Store Business
Guide, Inc. v. Wexler.14 3 In this case, plaintiff produced a series of trade
directories, each of which centralized the name, phone number, and
similar objective data for businesses engaged in particular trades. The
bulk of the data was drawn from 1,816 telephone books, but through
his own questionnaires plaintiff gathered additional data and verified
the information presented. Defendant was found to have used plaintiff's
directories in order to prepare a series of mailing labels, which in effect
could substitute for plaintiff's directory but which also provided a
timesaving function. The court focused on the similarities of the facts
contained in each work and concluded that there was an infringement.
Rather than referring to the 1,816 telephone directories used by
plaintiff or devising new questionnaires, defendant had improperly copied
from plaintiff's directories in order to produce a competing, although
physically and functionally somewhat different, work.
The emphasis, then, is placed on the use made by defendant of the
facts compiled by plaintiff. Less attention has been given to the visual
impact of each work, although the physical arrangement of a directory
might affect its utility and its marketability, as well as comprising part
of the expression.1 44 Nor has the plan for ordering the facts-another
possible aspect of expression-been determinative; if the defendant,
without any checking, compiled the information gathered by plaintiff in
a new order, there is still an infringement. 45 The emphasis chosen
probably reflects an awareness of competitive practices. 140 Facts are the
essence of a directory; the value of the work is in its comprehensiveness.
To allow subsequent compilers to reorder the facts-or to redesign the
Colum. L. Rev. 1274, 1287 (1964); see W. H. Anderson Co. v. Baldwin Law Pub]. Co., 27
F.2d 82, 87 (6th Cir. 1928) (common errors as proof of copying).
142. See Gorman, supra note 3, at 1584.
143. 79 F. Supp. 726 (S.D.N.Y. 1948).
144. But cf. PIC Design Corp. v. Sterling Precision Corp., 231 F. Supp. 106, 111 (S.D.
145. Leon v. Pacific Tel. &Tel. Co., 91 F.2d 484, 486
(9th Cir. 1937)
146. See Gorman, supra note 3, at 1586-87.
volume, while taking the facts-would be to allow competitors to
challenge the sales of the initial directory.147 However, in focusing on "fair
use" or on unfair competition, at least in spirit, if not in terminology,
courts have given insufficient attention to what exactly is the
contribution to be protected. Labor is being protected against misappropriation
through a rhetoric of infringement, and facts--supposedly in the public
domain-are being placed under at least a thin private monopoly.148
Neither of these effects should follow from the Copyright Act, which is
aimed at encouraging and protecting original expression. '
The verification test sticks too closely to the contribution made by
defendant; infringement should be more fully correlated with what should
be seen as the plaintiff's protectable contribution. That is, courts should
focus more directly on each work granted copyright to determine its
expression-be it the plan of ordering, the visual arrangement, the
subjective selection of facts (in more sophisticated directories). If the
defendant used the facts assembled by plaintiff to produce a different
type of directory, or even if the second directory serves the same
function but has a substantially different style, there should be no finding
of infringement. Plaintiff's rights are in his expression and, unless the
labor required to gather and place the facts in proper order is itself
an expression, his monopoly should not extend to public domain facts."m
If there is a competitive abuse, recourse should be made available in
tort for the misappropriation of labor to the degree permitted by recent
Supreme Court decisions."'
On the other hand, if the defendant violates the expression, there
should be a finding of infringement, even if the defendant has verified
the facts used.152 However, present law may not produce this result.
Peculiar to simple directories is the theoretical ability of a defendant
to observe plaintiff's book and to independently produce a competing
work, without directly copying plaintiff's work. That is, the compiler
simply by glancing at a published directory often will be able at once
to comprehend the idea and the expression employed-the mode of
ordering, the coverage of the facts, the graphic arrangement, etc. If
defendant has access to the same data base, or desires to do
independent gathering of facts, he should be able to produce a close imitation
of plaintiff's directory.Y3 A playwright, on the other hand, might
observe the stock characters and general themes chosen by an author and
write a similar play; but the likelihood is that many plot details, and
certainly most of the wording, in the second work will be distinct. So
long as there are differences in expression, infringement will be avoided. 15'
Under the verification test for directories, the competing directory would
probably not be an infringement, even though the expression may be
duplicated. The ability of an imitator to produce a competing work
reflects the thinness of the right involved. 15 But perhaps such
competition should be considered an infringement. Defendant is effectively
copying what is determined to be protected expression; even if this copying
is not achieved by repeated reference to the first directory, familiarity
with a copyrighted work and likely dependence on that work can
constitute infringement. 5 6 The difficult question remains the degree of
reference which constitutes copying.
should be available so that the facts may be used. However, if only limited arrangements are
feasible, Morrissey, discussed in Part III(A) (2) supra, should operate to block the initial
copyright (as might the first amendment). See Part 1I1(B) supra.
153. Of course, if more precise details or graphics are essential to the work, the task of
imitation approaches the case of a literary copy. The directory in Jewelers' Circular Pub). Co.
v. Keystone Publ. Co., 274 F. 932 (S.D.N.Y. 1921), aff'd, 281 F. 83 (2d Cir.), cert. denied,
259 U.S. 581 (1922), represents a more involved directory, where actual copying was required
to produce the competing work.
154. Nichols v. Universal Pictures Corp., 45 F.2d 119 (2d Cir. 1930).
155. Too closely tracking the appearance of plaintiff's work may, in appropriate situations,
give rise to a cause of action for passing off. In Surgical Supply Sew., Inc. v. Adler, 206
F. Supp. 564 (E.D. Pa. 1962), discussed in text accompanying notes 32-34 supra, the district
court enjoined defendant from producing a price list which too closely approximated
plaintiff's list, even though the court concluded that plaintiff's list could not be copyrighted. On
appeal, the Third Circuit reversed on the unfair competition issue, concluding that the record
did not support the claim af passing off. 321 F.2d 536 (3d Cir. 1963). Actions for passing
off, as claims of misappropriation, may have been cut down by recent Supreme Court
holdings. See note 99 supra.
156. Herbert Rosenthal Jewelry Corp. v. Kalpakian, 446 F.2d 738, 741
(9th Cir. 1971)
Harold Lloyd Corp. v. Witwer, 65 F.2d 1, 16 (9th Cir. 1933); Fred Fisher, Inc. v.
Dillingham, 298 F. 145, 148 (S.D.N.Y. 1924).
With manually produced directories, it is unlikely that competing
directories will be independently produced, that is, without leaning on
the first work; indeed, this assumption underlies the test of verification,
which recognizes that the second compiler relies on the efforts of the first
compiler. With the advent of computers, however, the likelihood of such
independent replication becomes more plausible. The test of
infringement, which for manually produced directories has focused too closely
on the efforts provided by each party, requires extensive redefinition for
The Context of Computer-Produced Works
Before deciding the extent of protection which should be given to
computer-produced directories, it is necessary at least to note the other
copyright problems presented by computer technology, for the
resolution of these problems bears directly upon the issue of copyrightability
of compilations. Two such problems have been recognized and have
received extensive consideration: 15 7 first, whether copyright protection
should be granted for computer programs5 s and second, whether feeding
copyrighted works into a computer data bank constitutes an
infringement.159 For the purpose of delimiting the protection to be given to
computer-produced works, it will be assumed these other questions have
been answered. Indeed, the copyrightability of computer programs seems
to be anticipated; 1 ° and, while many do oppose defining as an
infringement computer use of copyrighted works,""' drafts of the Copyright
Revision Bill appear to make an "input" an infringement, save to the
extent of a fair use." 2
If the person who designs a computer program is given a monopoly
over that program and if feeding a work into a computer is made an
infringement, what copyright protection should be given to
directories? As more directories are produced by computers and as the effort
to expand information banks is intensified, at least three lines of
argument should be weighed against continued protection for directories.
First, the essential function of the present copyright law for directories
is to limit competitive works, largely by providing the first compiler
with a "lead time.""les That is, each subsequent compiler must do
independent verification, thus delaying the publication of competing works;
in the interim, the first compiler can push present sales and can enter
into contractual agreements for future sales. New technology should
alter the pattern. When production is computerized, a "debugged"
program is essential for efficient compilation. With phone books, the
program is relatively simple, but for more sophisticated correlations and
collections the program will be more difficult to prepare.0 4 Assuming
that most data necessary for compilations will eventually be stored in
a widely accessible data bank, control over the program may provide
the necessary lead time, making unnecessary a copyright for the finished
work. This would be particularly true if patent protection were to be
placed on programs; in that event, use of the program would require
special licensing and would allow great control over competitive uses.
However, a recent Supreme Court decision l0 5 diminishes the likelihood
that patent protection will be afforded to computer programs, absent
new legislation. If programs are given only copyright protection, there
is less control. 6 6 Nevertheless, if use of a copyrighted program
constitutes an infringement, sufficient protection may be available to a
compiler through a copyright on his program.
Second, if directories are copyrighted, they cannot be fed into
information storage banks without permission; the input, unless found to
be a fair use, might constitute an infringement?6 7 But directories, as
collections of facts, may contain information essential to further
analysis. Of course, when an extensive information book has already been
created, these facts should already have been stored; indeed, the
copy163. Cf. Breyer, supra note 12, at 299-302. Professor Breyer's approach to copyright has
been strongly attacked in Tyerman, The Economic Rationale for Copyright Protection for
Published Books: A Reply to Professor Breyer, 18 U.C.L.A.L. Rev. 1100 (1971) [hereinafter
cited as Tyerman].
164. See note 122 supra.
165. Gottschalk v. Benson, 409 U.S. 63 (1972).
166. Iskrant, The Impact of the Multiple Forms of Computer Programs on their
Adequate Protection by Copyright, 18 ASCAP Copyright L. Symposium 92, 93 (1970).
167. See note 162 supra.
righted compilation may have been made possible by such storage in
conjunction with a proper program. Still, for a transitional period at
least, all computer memories will not be connected, and a directory
produced from one data bank may provide facts which appropriately
should be placed in other banks. Given the public interest in making
facts available in the most useful form-an interest which argued in
favor of protection for manually produced directories'8-and given the
probability that an input may constitute infringement, protection for
directories should be further restricted; wider dissemination of facts
through computers should not be blocked.
Finally, projections of future developments in computer technology
include the widespread consumer use of remote access terminals,""
which would allow the general public to draw information from data
banks. Should these predictions prove true, the commercial value of
bulky printed directories could diminish. Indeed, at some point, there
may be no market for printed directories, or other similar works, which
require protection in the form of copyright.'7 In recognition of these
prospects-and perhaps, in order to encourage the compilation of vast
data banks--directories might be deleted from the Copyright Act;
competitive problems perceived in the case law might better be solved by a
federal code of misappropriation.' 7'
C. Infringement of Computer-ProducedDirectories
The approach to infringement which emphasizes the amount of
verification contributed by the defendant seems inappropriate once directories
are computerized. Such an approach presupposes significant effort by the
plaintiff to gather and to order the data, and it requires of the
defendant at least a minimal expenditure of similar labor. With
computerization, and with information banks, the tediousness of the initial endeavor
can be delegated largely to the machine. Moreover, the verification test
does not adequately deal with the directory inspired by, but not derived
from, a copyrighted work.172 With the computer, the likelihood of
initative directories, prepared with only passing reference to the plaintiff's
work, becomes assured. How should infringement be defined?
The discussion of the requirement of originality noted the similarity
168. See Gorman, supra note 3, at 1584.
169. See note 40 supra.
170. Kaplan, supra note 38, at 121-22.
171. See note 99 supra.
172. See Part IV(A) supra.
between computer production and photographic production; 178 that is,
a human author in each situation can instruct a mechanized device to
produce a certain copyrightable work. This comparison suggests one
approach for a test of infringement. While any person may freely
photograph an object in the public domain, it is probably an infringement
to duplicate exactly a copyrighted picture. Trying to recreate pose, angle,
lighting, and camera settings would fall under the proscription, as would
the more obvious infringement of rephotographing and replicating the
picture.174 This suggests that a compiler who sees plaintiff's work and
subsequently tries to design a program and to find suitable banks of data
in order to duplicate that work should be deemed to be an infringer.Y0
What would be imitated through such an effort is not only the public
domain facts but also the arrangement, and perhaps selection and
correlations of facts as well.
In effect, to call this an infringement would complement the present
thrust-although not the resut107 --of the verification test, as applied
to manually produced directories. That test looks to the efforts of the
defendant and, in point of fact, finds infringement where defendant
tries to appropriate the plaintiff's efforts." With manual compilations,
that effort is the accurate collection of facts; with photographs or
computer productions, the effort would be planning and preparation for use
of the machine.
The photograph test puts plaintiff somewhat in control of public
domain facts, as this test is applied to computerized compilations. Unless
defendant alters the arrangement-or other expressive elements of the
directory-his work would remain tainted and the facts could not be
fully reprinted. But once changes are made that will distinguish the
second work, defendant can distribute a competing work, without
copyright infringement and without independent checking of the facts. This
result more closely observes the idea/expression dichotomy than does
the verification test, and also comports with the first amendment policy
173. See text accompanying notes 51-54 supra.
174. See Gorman, supra note note 3, at 1598-1600 and cases discussed therein.
175. Cf. Harold Lloyd Corp. v. Witwer, 65 F.2d 1, 17 (9th Cir. 1933) (intent to copy
may be a factor).
176. See text accompanying notes 153-56 supra.
177. Of course, any notion of infringement includes a thread of appropriation, for a
copying is required. See generally Nimmer, supra note 15, ch. 12. What makes certain
directory cases unique is an emphasis on an appropriation of plaintiff's labor. Infringement of
literary works rests more strongly on a comparison of the work of each party, apart from the
efforts each invested to write the work. See Nichols v. Universal Pictures Corp., 45 F.2d 119
(2d Cir. 1930).
of keeping facts and ideas free. To be sure, this test gives very thin
protection for a directory, proscribing little more than exact
duplication.'17 However, the reduced labor required to assemble facts eventually
may justify this reduced protection Y1.9
Thus, in instances where the defendant tries to closely imitate the
plaintiff's directory, an infringement should be found. The protected
expression is to be carefully delimited, including only the arrangement
of facts, in terms of plan of ordering and visual presentation. Such an
approach should be applied to cases of commercially competing
directories. The first compiler deciding to publish a particular directory can
achieve an initial marketing advantage; by preparing a suitable
computer program and assembling--or locating-a sufficient data base, he
can quickly publish the directory. Advance contracts and an initial sales
push may make sufficient a small amount of lead time.' 80 Other
compilers would then be free to use the facts collected, even for expanding
information data banks; the effort involved in compiling the facts should
not be part of the protected expression. But others could not market
directories containing the same facts presented in the same way, since
the presentation should be recognized as the expression. At least the
visual impact should be distinct; the ordering of facts should be
modified.' 81 It is clear that subsequent compilers may benefit from plaintiff's
collection of facts. This limitation, however, is necessary to keep free
the flow of information. Plaintiff still has some economic protection and,
thus, incentive to prepare his directory. His lead time might guarantee
him enough sales to insure a profit. Moreover, if plaintiff's arrangement
is particularly attractive or useful, then other directories containing the
same facts-but which cannot track plaintiff's arrangement-will not
be severe competition. And, in the case of trade directories, "passing
off" is limited.8 2 Only if the same arrangement is independently created,
which becomes more possible with computerization, can the competing
178. Compare § 1(f) of the Copyright Act, added in 1971, which allows efforts to exactly
duplicate a sound recording; only electronic tracking--"record piracy"-is proscribed. 17
U.S.C. § 1(f) (Supp. 1973).
179. For the emphasis on labor expended in the originality requirement, see Part If(A)(2)
180. Breyer, supra note 12, at 299-300.
181. If alternative orderings are not feasible, Morrissey should block a copyright for
plaintiff's first arrangement (though the visual arrangement can still be protected). See Part
I1I(A) (2)-(3) supra. Thus, to avoid infringement, defendant should alter both facts and
graphics where these elements were copyrightable. If only the visual presentation were to be
protected, of course defendant need only avoid duplicating this expression.
182. See note 155 supra.
works be identical; but independent creations have always been
considered non-infringing, lest the copyright monopoly become a full
substitute for patents.
To focus this approach more sharply, the facts of Leon"8' -the typical
phone book case-should now be reconsidered. Assuming computer
production is now employed, there should be no cause for infringement.
Plaintiff prepares a listing of names, addresses, and phone numbers in
alphabetical order, published in a certain graphic package. The data
base necessary for this directory would be ready for plaintiff; the
billing records-already computerized-could serve. And the retrieval
program needed to draw out the facts is elementary. Thus, the amount of
labor perceived by the Leon court has been reduced.1 8 4 Defendant can
not replicate the plaintiff's directory. However, he should be able to
present the same facts arranged differently. In Leon, defendant used a
numerical ordering. This directory served a different need and mar have
been styled distinctly. The court found an infringement, fot the
defendant used plaintiff's work as a source of facts. If defendant has access
to a sufficient data bank, such use would be unnecessary, and the
resulting numerical directory should be allowed., A more difficult problem
may arise where the defendant uses plaintiff's directory to augment a
data bank. If defendant stores the data in plaintiff's directory and if
defendant's output does not duplicate plaintiff's work, to find an
infringement would be to give plaintiff control over the public domain facts;
the expression-the plan of arrangement and the graphic
presentationwould not be tracked. Allowing this control would impede the flow of
information and could invoke the proscriptions of the first amendment.
183. See notes 74-82 supra and accompanying text.
184. Of course, programmers and computer operators must be employed. The cost of
preparing the directory-including personnel, computer time, and printing-may not
diminish; indeed, likely costs have risen. Nevertheless, a copyright is not granted in recognition
of these expenditures; at most, the protection is supposed to encourage necessary expenditures.
See Berlin v. E. C. Publ., Inc., 329 F.2d 541, 543-44 (2d Cir.), cert. denied, 379 U.S. 822
(1964). The economic incentives operating in the copyright area are skillfully debated by
Breyer, supra note 12, and Tyerman, supra note 163. Telephone directories are somewhat
unique as they are given free to phone subscribers; inverted books--arranged by phone
number or by address-are sold.
185. The result in Chain Store Business Guide Inc. v. Wexler, 79 F. Supp. 726 (S.D.N.Y.
1948), discussed in text accompanying note 143 supra, should also be changed: the subsequent
use of facts collected by plaintiff in defendant's distinct directory should not be an
infringement. Where a directory requires special detailing, as in Jewelers' Circular Publ. Co. v.
Keystone Publ. Co., 274 F. 932 (S.D.N.Y. 1921), aff'd, 281 F. 83 (2d Cir.), cert. denied, 259 U.S.
581 (1922), infringement may still lie This should continue to protect competing trade
directories. See note 153 supra.
Thus, irrespective of the rules which develop for use of copyrighted works
in computer memories,"8 6 an exception should be made for simple
directories: the input of the collected facts should be allowed.
Under present case law, a directory of public domain facts, assembled
without subjective evaluation of each entry, is given copyright
protection. The arrangement selected by the compiler as well as the facts
drawn together cannot be published by anyone who does not at least
verify independently the accuracy of the facts. Underlying this law is
the assumption that the initial compiler expended great effort in the
production of the directory; that effort is rewarded by preventing others
-- especially business competitors-from extensively using the copyrighted
This approach has focused too strongly on the labor expended by the
initial compiler. Indeed, that expenditure has, at times, served to satisfy
the originality requirement and to shape the test of infringement. Not
enough attention has been given to the idea/expression dichotomy and
to a deliberate evaluation of what exactly is contributed by the
copyrighted work itself. A precise delineation of what is the compiler's
expression would be likely to reduce the monopoly granted a directory,
and properly public domain facts would become less subject to private
With the introduction of computer technology to directory
production, there is a special need to reconsider the law in this area. Due to
this technology, many of the tedious human jobs rewarded by courts
with a copyright have been removed. Beyond this, the use of computers
allows compilers to order information in many different ways; if the
lines of protection granted to each work are not closely drawn, facts
essential to society might be systematically monopolized.
It is suggested that directories for the present be granted copyright
protection-but the rights extended must be quite thin. Only the plan
of ordering facts and the graphic arrangement for the facts should be
protected. Others should be free to reorder the facts and to redesign
the directory in order to prepare a non-infringing work; even more,
others should be allowed to feed the facts into computer storage banks.
Should the plans of ordering certain facts prove so limited as to make
possible a freezing of the facts, then the protected expression should be
restricted to the visual presentation. In effect, this would preclude only
186. See Part IV(B) supra.
total replication. Nevertheless, given the prospects of new
communication systems, basic data ought not be locked in fifty-six year time capsules.
Eventually the use of computers should alter the way information is
collected and the way information is sold. Networks linking individual
computers-with remote access terminals commonly available-should
make traditional volumes of data compilations unnecessary. Where
directories continue to be marketed as books, however, sufficient
encouragement for compilers may be allowed in the lead time available to
the first publisher, in the protection of visual arrangement, and in the
degree of control given over computer programs. Beyond these limited
concessions to commercial pressures, copyright should not restrict the
use of fact compilations. The flow of information made possible by
evolving technology should not be stopped by private monopolies.
10. See , e.g., Fortnightly Corp . v. United Artists Television, Inc., 392 U.S. 310 ( 1968 ) ; Williams & Wilkins Co . v. United States, U.S. Ct . CL No. 73 - 68 , summarized at 40 U.-.L.W. 2550 ( Feb . 16, 1972 ) (opinion of Conm'r Davis) . See also Project, supra note 7 , at 1006-03; 25 Vand. L. Rev. 1093 ( 1972 ).
11. 17 U.S.C. § 4 ( 1970 ) ; see Part I(B) infra .
12. The basic policy considerations underlying the copyright statute are discussed, in relation to computerization, in Brown, Property Rights under the New Technology , in Computers, Communications, and the Public Interest 189 , 190 - 92 (J. Greenberger ed. 1971 ) [hereinafter cited as Greenberger] . See also Breyer , The Uneasy Case for Copyright: A Study of Copyright in Books, Photocopies, and Computer Programs, 84 Harv.L. Rev. 281 , 284 - 323 ( 1970 ).
13. See Part II(A) infra .
14. See Part III(A) (1) & (2) infra .
15. M. Nimmer , Nimmer on Copyright §§ 6 , 10 ( 1972 ) [hereinafter cited as Nimmer] .
16. Burrow-Giles Lith . Co. v. Sarony, 111 U.S. 53 ( 1884 ); Puddu v . Buonamic Statutary , Inc., 450 F.2d 401 , 402 ( 2d Cir . 1971 ).
17. U.S. Const. art. 1 , § 8, cl .8.
18. Alfred Bell & Co. v. Catalda Fine Arts, Inc., 191 F.2d 99 ( 2d Cir . 1951 ); Sheldon v . Metro-Goldwyn Pictures Corp., 81 F.2d 49 , ( 2d Cir . 1936 ), aff'd, 309 U.S. 390 ( 1940 ).
19. Herbert Rosenthal jewelry Corp . v. Kalpakian, 446 F.2d 738 ( 9th Cir . 1971 ) ; Sheldon v. Metro-Goldwyn Pictures Corp ., 81 F.2d 49 , 54 ( 2d Cir . 1936 ), aff'd, 309 U.S. 390 ( 1940 ).
20. Imperial Homes Corp. v. Lamont, 458 F.2d 895 , 897 ( 5th Cir . 1972 ). But see Lee v . Runge , 404 U.S. 887 ( 1971 ) (Douglas , J., dissenting), denying cert . to 441 F.2d 579 ( 9th Cir . 1971 ). Justice Douglas suggested that the same prerequisites for an intellectual monopoly should obtain in the patent and copyright fields. This suggestion is criticized in Nimmer, A Comment on the Douglas Dissent in Lee v . Runge, 19 Bull. Copyright Soc'y 68 ( 1971 ).
21. Cf . Lurvey, supra note 4, at 286-87, where a distinction is made between an objective compiler-whose contribution is the rather mechanical task of compilation-and the subjective compiler, whose contribution includes an exercise of judgment. A court reviewing the work of a subjective compiler is likely to emphasize the value or usefulness of the compilation; a court reviewing the work of an objective compiler is likely to note the labor involved in the task of compilation . See also Dworkin, Originality in the Law of Copyright , 39 B.U.L. Rev . 526 ( 1959 ), reprinted in 11 ASCAP Copyright L. Symposium 60 ( 1962 ). But cf . Nimmer, supra note 15, § 41 .
22. "Value," as used in this section, is not intended to connote a quantitative amount; rather it refers to a subjective determination of what the author has contributed .
23. In Burrow-Giles Lith . Co. v. Sarony, 111 U.S. 53 ( 1884 ), for example, the court defined originality both in terms of the finished photograph and in terms of the work or decisions preceding the finished picture .
44. 189 F.2d 104 ( 3d Cir . 1951 ).
45. Ninnmer , supra note 15, § 18 .32; Gorman, supra note 3, at 1572- 75 . Professor Gorran argues that the rule discourages redesigned or combined maps, which would be easier to use than were the pre-existing sources. The Amsterdam court reveals a different policy view, forcing cartographers to verify and find information through direct observation .
46. In Donald v. Zack Meyer's T.V. Sales & Serv., 426 F.2d 1027 , 1030 ( 5th Cir . 1970 ), cert. denied, 400 US. 992 ( 1971 ), the court relied on Amsterdam in holding that plaintiffs work lacked the requisite product value .
47. 91 F.2d 484 ( 9th Cir . 1937 ).
48. Id . at 486.
49. 281 F. 83 ( 2d Cir .), cert. denied, 259 U.S. 581 ( 1922 ) ; accord, Consumers Union of the United States v . Hobart Mfg . Co., 189 F. Supp . 275 , 278 (S.D.N .Y. 1960 ).
50. 281 F. at 88 (emphasis added).
55. Jewelers' Circular PubL Co. v. Keystone Publ Co., 274 F . 932 , 934 (S.D.N .Y. 1921 ), aff'd, 281 F. 83 ( 2d Cir .), cert. denied, 259 U.S. 581 ( 1922 ). This standard was enunciated by Judge Learned Hand in the context of a photography case .
56. See Gorman, supra note 3 , at 1585. For the effect of granting copyright liberally and making adjustments through definition of infringement, see note 85 infra and accompanying text .
57. Burrow-Giles Lith . Co. v. Sarony, 111 U.S. 53 , 58 ( 1884 ) (citations omitted).
58. Alfred Bell & Co. v. Catalda Fine Arts, Inc., 191 F.2d 99 , 102 - 03 ( 2d Cir . 1951 ).
59. Bleistein v. Donaldson Lith . Co., 188 U.S. 239 ( 1903 ).
60. CL Alfred Bell & Co. v. Catalda Fine Arts, Inc., 191 F.2d 99 ( 2d Cir . 1951 ) (use of mezzotint engraving process); Time Inc . v. Bernard Geis Associates, 293 F. Supp . 130 (S.D.N .Y. 1968 ) (production of home movies) . See also text accompanying notes 51-56 supra.
61. For a discussion of this problem, with particular reference to electronic music, see Savelson, Electronic Music and the Copyright Law , in 13 ASCAP Copyright L. Symposium 133 ( 1964 ) [hereinafter cited as Savelson]. As for directories, phone books-which for large cities are computer produced-continue to carry copyright notice .
62. 17 U.S.C. § 26 ( 1970 ).
63. Scherr v. Universal Match Corp., 417 F.2d 497 , 500 ( 2d Cir . 1969 ), cert. denied, 397 U.S. 936 ( 1970 ) ; accord, Lin-Brook Builders Hardware v . Gertler , 352 F.2d 298 , 300 ( 9th Cir . 1965 ) ("[Tlhe presumption arises that the mutual intent of the parties is that the title to the copyright shall be in the person at whose instance and expense the work is done.").
64. With the use of a computer, certain problems might arise as to the ownership of the "joint work." That is, the person who directed the assembling of the data base, the computer programmer, and the employer who funded and perhaps supervised the particular work may all claim rights in the final work . Of course, if the employer hired the programmer and the data compilers-or if contractual agreements were entered into-the problem may be avoided under the "works for hire" rule. See note 63 supra and accompanying text. Absent such an arrangement, an interesting problem exists. Several people can be seen as contributing to a single work. In the case of the revision of a copyrighted directory, for example, there can be several copyrighted works-including the old directory and the computer program-being combined into the one new compilation. The cases in this area suggest that a joint work might be found . See Shapiro , Bernstein & Co. v. Jerry Vogel Music Co., 221 F.2d 569 , modified , 223 F.2d 252 ( 2d Cir . 1955 ) ; Nimmer, supra note 15, ch. 6; Savelson, supra note 61, at 150-51.
65. See generally Reichardt, supra note 43; Project, supra note 7 , at 976- 78 . As a directory usually is designed to satisfy a specific reference need, the problem discussed at this point in the text is not fully applicable to directories .
66. See Milde; Can a Computer Be an "Author" or an "Inventor"?, 51 J. Pat . Off. So'y 378 , 403 - 44 ( 1969 ) [hereinafter cited as Mildel .
67. Time Inc. v. Bernard Gels Associates, 293 F. Supp . 130 (S.D.N .Y. 1968 ).
68. Saveson , supra note 61, at 149-50.
69. See Berlin v. E. C. Pubis., Inc., 329 F.2d 541 , 543 - 44 (2d Cir.), cert. denied, 379 U.S. 822 ( 1964 ). See generally H.R. Rep . No. 2222 , 60th Cong., 2d Sess . ( 1909 ), reprinted in Ninmer, supra note 15 , app. I, at 959 , 966 - 67 . See also Title II of the Copyright Revision Bill which would create a "National Commission on New Technological Uses of Copyrighted Works" to study, inter alia, problems of copyright and computers . S. 1361 , 93d Cong., 1st Sess. § 70 et. seq. ( 1973 ).
84. See Note, Copyright Protection for Computer Programs, 64 Colum. L. Rev. 1274 , 1286 - 87 ( 1964 ).
85. Professor Kaplan, supra note 38 , at 63, observes that copyright notice does not report the thinness of the right, and the presence of a formal notice might impede others from venturing in the area-even if the likelihood of infringment is, in fact, small. Granting copyright too easily-placing the emphasis of copyright law on infringement determinations--risks such discouragement and also risks unjustifiably large verdicts when a marginal copyright goes to the jury. It should be remembered that a registration certificate is prima fade evidence of a valid copyright; thus, if the Register, acting under a liberal rule of copyrightability, accepts a work, the burden to prove the invalidity of the copyright shifts to the defendant . 17 U.S.C. § 209 ( 1970 ) ; see Covington Fabrics Corp . v. Artel Prods, Inc., 328 F. Supp . 202 , 204 (S.D.N .Y. 1971 ).
86. 379 F.2d 675 (lst Cir. 1967 ); see Nimmer, supra note 15, § 143 .11; 67 Mich. L. Rev. 167 ( 1968 ).
87. 446 F.2d 738 ( 9th Cir . 1971 ).
110. For a discussion of these policies, see authorities cited in note 106 supra .
111. Nimmer , supra note 106, at 1199, argues for compulsory licensing of news photos, rather than for an absolute denial of protection . See Williams & Wilkins Co . v. United States, U.S. Ct . Cl. No. 73 - 68 , summarized at 40 U.S.L.W. 2550 ( Feb . 16, 1972 ) (opinion of Comm'r Davis) (information flow not impeded where payment, rather than injunction, is sought in photocopying situation).
112. 366 F.2d 303 ( 2d Cir . 1966 ). See the helpful discussion of this case in Goldstein , supra note 30 , at 984-86; Sobel, supra note 106, at 54-59.
113. 366 F.2d at 309.
114. Cf . Rosenbloom v. Metromedia, Inc., 403 U.S. 29 , 40 - 44 ( 1971 ), noted in 40 Fordham L. Rev . 651 ( 1972 ) ; Time Inc . v. Hill, 385 U.S. 374 , 381 ( 1967 ); New York Times Co. v. Sullivan, 376 U.S. 254 , 269 - 70 ( 1964 ). See also Nimmer, The Right to Speak from Times to Time: First Amendment Theory Applied to Libel and Misapplied to Privacy, 56 Calif. L. Rev . 935 , 958 - 67 ( 1968 ).
120. 46 F. Supp . 198 (D. Mass. 1942 ).
121. Professor Kaplan, supra note 38 , at 61, suggests that the insignificant news value of race results may have influenced the theory used by the court . But query, whether government supervised off-track betting, see , e.g., N.Y. Unconsol . Laws §§ 8081 - 8104 ( McKinney Supp . 1972 ), has altered this? Quite possibly, facts about track attendance and winning purses are needed as the government debates how the "handle" should be divided .
122. See , e.g., Raduchel, Regression Analysis Program for Economists, Harv . Inst. Econ. Research, Tech. Paper No. 7 ( Nov . 1970 ).
123. Feb . 15 , 1972 , at 1, col. 2; Feb. 14 , 1972 , at 1, col. 1.
124. See note 101 supra and accompanying text .
125. See , e.g., Toksvig v . Bruce Publ. Co., 181 F.2d 664 ( 7th Cir . 1950 ); Triangle Publ., Inc. v. New England Newspaper Publ. Co., 46 F. Supp . 198 (D. Mass. 1942 ); Njmmer, supra note 15, §§ 29 . 4 - S5 . But see Myers v . Mail & Express Co. (S.D.N .Y. 1919 ) (unreported ), cited in Kaplan, supra note 38 , at 62; accord, Rosemont Enterprises, Inc. v. Random House, Inc., 366 F.d 303 , 310 ( 2d Cir . 1966 ), cert. denied, 385 U.S. 1009 ( 1967 ).
126. See International News Serv. v. Associated Press, 248 U.S. 215 ( 1918 ). As to the validity of misappropriation actions see note 99 supra .
127. The inhibition would be prevented if permission were granted to use the material; such permission would be given to subscribers of the paper's wire service. Others may use parts of the data under the fair use doctrine . See note 135 infra. Nevertheless , this doctrine is clearly limited . See cases cited at note 125 supra.
128. The New York Times is currently engaged in an effort to computerize its indexes, its morgues, and other sources of information. The goal is to make ready a vast and complete data retrieval system. See Sandberg-Diment, All the News That's Fit to Print Out , N.Y. Magazine , Jan. 17 , 1972 , at 45-47.
129. See generally A. Miller , The Assault on Privacy chs. II-IV ( 1971 ) ; Data Banks in a Free Society (A . Westin ed. 1972 ).
130. See cases cited note 114 supra.
131. On the problems of common law copyright see Estate of Hemingway v . Random House , Inc., 23 N.Y.2d 341 , 244 N.E.2d 250 , 296 N.Y.S.2d 771 ( 1968 ) ; note 99 supra .
137. Kaplan , supra note 38, at 38-78.
138. The discussion focuses primarily on objective gatherings of public domain facts, rather than on directories requiring more ingenuity in the selection of facts . See note 2 supra; text accompanying notes 120-26 supra. For a discussion of the different types of directories, see Lurvey , supra note 4 , at 287-89.
139. See , e.g., Nichols v . Universal Pictures Corp., 45 F.2d 119 ( 2d Cir . 1930 ), cert. denied, 282 U.S. 902 ( 1931 ) (patterns of expressions in a play); Arnstein v . Porter , 154 F.2d 464 , aff'd, 158 F.2d 795 ( 2d Cir . 1946 ), cert. denied, 330 U.S. 851 ( 1947 ) (problems of access and similarity ); Fred Fisher, Inc. v. Dillingham, 298 F. 145 (S.DN .Y. 1924 ) (unconsdous copying).
140. Gorman , supra note 3, at 1585; Lurvey, supra note 4, at 283. Both of these articles trace the early cases in an effort to clarify the concept of verification.
141. If this use is denied, the problem of proof can become troublesome since the material involved is in the public domain. Thus, defendant may claim to have obtained the information from a non-copyrighted source . Note, Copyright Protection for Computer Programs, 64
147. Consumers Union of United States, Inc. v. Hobart Mfg. Co., 189 F. Supp . 275 , 278 (SMD.N.Y. 1960 ).
148. Cf . Nmmer, supra note 15, § 41 . The effect is more striking with directories requiring more selective judgment: in those cases, the facts chosen and the means of arrangement are protected . See Adventures in Good Eating , Inc. v. Best Places to Eat, Inc., 131 F.2d 809 ( 7th Cir . 1942 ); Triangle Publ., Inc. v. New England Newspaper Publ. Co., 46 F. Supp . 198 (D. Mass. 1942 ).
149. See McGraw-Hill , Inc. v. Worth Publ., Inc., 335 F. Supp . 415 , 420 (S.D.N .Y. 1971 ).
150. Consumers Union of United States, Inc. v. Hobart Mfg. Co., 189 F. Supp . 275 , 278 (S.D.N .Y. 1960 ).
151. See note 99 supra.
152. Allowing plaintiff protection for his expression should not unduly restrict the use of facts. If the mode of arrangement is classified as part of the idea, others can use the facts as long as the visual impact devised does not tread on plaintiff's presentation. On the other hand, where the arrangement of facts is seen as part of the expression , many arrangements
157. A general framing of these problems is contained in Greenberger, supra note 12, ch. 6; Banzhaf, When a Computer Needs a Lawyer, 71 Dick. L. Rev . 240 ( 1967 ).
158. Breyer , supra note 12, at 340-50; Project, supra note 7 , at 978-93; Note, Copyright Protection for Computer programs, 64 Colum. L. Rev. 1279 ( 1969 ).
159. Levy , Copyright Law and Computerized Legal Research, 20 Bull. Copyright Soc'y 159 , 164 - 70 ( 1973 ) ; MacLean, Education and Copyright Law: An Analysis of the Amended Copyright Revision Bill and Proposals for Statutory Licensing and a Clearinghouse System, 20 ASCAP Copyright L. Symposium 1 ( 1972 ); Project, supra note 7 , at 97S-1026; Note, Copyright Law Revision: Its Impact on Classroom Copying and Information Storage and Retrieval Systems , 52 Iowa L. Rev . 1141 ( 1967 ).
160. Copyright Office Cir. 61 (May 1969 ) ; cf . Harcourt, Brace & World, Inc. v. Graphic Controls Corp., 329 F. Supp . 517 , 523 (S.D.N .Y. 1971 ).
161. See , e.g., Kaplan, supra note 33 , at 104; Breyer, supra note 12, at 338.
162. H.R. Rep . No. 83 , 90th Cong , 1st Sess. 152 , 167 ( 1967 ). For comparison see S. 1361 , 93d Cong., 1st Sess. §§ 101 , 107 , 117 ( 1973 ).