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Weaving the New Science with the Materials of the Imagination: Margaret Cavendish, Poetry and Experimentation

Cavendish (1623-1673) is one of the most singular figures of her time, in that she did not receive a formal education in philosophy, and yet, by means of a prolific and extravagant outpour, she experimented ... side by side seems crucial to understand the role that fancy and poetic imagination plays in the development of her natural philosophy. This paper examines fragments from Poems and Fancies (1653) to

About Los días terrenales [Zhdánov, Pascal, Philosophy and a “Literature of Misdirection”]

the proper instruments of philosophy in its dialectical dimension, through which the significant cast of philosophical problems that Revueltas summons with the construction of a great existential and ... , life, the absolute, political or moral commitment and, finally, the human condition guide the complexity of an author in his being both a communist writer and a communist who writes. Keywords: José

Sobre Los días terrenales [Zhdánov, Pascal, la filosofía y una “literatura de extravío”]

the proper instruments of philosophy in its dialectical dimension, through which the significant cast of philosophical problems that Revueltas summons with the construction of a great existential and ... , life, the absolute, political or moral commitment and, finally, the human condition guide the complexity of an author in his being both a communist writer and a communist who writes. Keywords: José

Political Cartographies of Memory: Identity and Space in Mapa dibujado por un espía by Guillermo Cabrera Infante

This work addresses the way geographical space is represented in Mapa dibujado por un espía (2013) by Guillermo Cabrera Infante. Taking into account the notions of Wayne C. Booth and Walter Benjamin regarding the narrator and the role of literature in society, we analyze this formal aspect of the text, the focalization of which proposes a “true” plot. The cartography of La Havana...

Tras las huellas del inka: cerámica, interacciones y reconfiguración del paisaje social en Antofagasta de la Sierra (Catamarca, Argentina)

In the early 15th century, the expansion of the Inka Empire into Northwest Argentina led to a process of increasing economic, social and political complexification. In Antofagasta de la Sierra ... La Plata. [ Links ] Serrano, A. 1958. Manual de la cerámica indígena. Córdoba: Editorial Assandri. [ Links ] Soja, E. 1971. The political Organization of Space. Washington dc: Association of

Tras las huellas del inka: cerámica, interacciones y reconfiguración del paisaje social en Antofagasta de la Sierra (Catamarca, Argentina)

In the early 15th century, the expansion of the Inka Empire into Northwest Argentina led to a process of increasing economic, social and political complexification. In Antofagasta de la Sierra ... La Plata. [ Links ] Serrano, A. 1958. Manual de la cerámica indígena. Córdoba: Editorial Assandri. [ Links ] Soja, E. 1971. The political Organization of Space. Washington dc: Association of

Tras las huellas del inka: cerámica, interacciones y reconfiguración del paisaje social en Antofagasta de la Sierra (Catamarca, Argentina)

In the early 15th century, the expansion of the Inka Empire into Northwest Argentina led to a process of increasing economic, social and political complexification. In Antofagasta de la Sierra ... La Plata. [ Links ] Serrano, A. 1958. Manual de la cerámica indígena. Córdoba: Editorial Assandri. [ Links ] Soja, E. 1971. The political Organization of Space. Washington dc: Association of

Three Poetics of the Ingenium in the Golden Centuries: Subtleness, Sharpness and Temperament

traditions of this notion in the European culture of the 16th and 17th centuries: wit as mental subtlety, related to Theology and Philosophy; wit as verbal acuity, related to Rhetoric and Poetry; and wit as a

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

Imágenes y prácticas en torno a las cabezas trofeo. Contribución al estudio de la colección de cerámica nazca del Museo Etnográfico Juan B. Ambrosetti

ceramics from the Nazca culture that is housed in the Juan B. Ambrosetti Ethnographic Museum, pertaining to the Faculty of Philosophy and Literature at the University of Buenos Aires, unstudied until

MOCHE SUBSTYLES: KEYS TO UNDERSTANDING MOCHE POLITICAL ORGANIZATION

substyle gained political dominance over this large region, becoming the largest political entity ever developed within the Moche realm. It is interesting to consider how different the Huacas de Moche ... . Cultural Assignations during the Early Intermediate Period: The Huancaco Case. In New Perspectives on Moche Political Organization, J. Quilter & L. J. Castillo, Eds., pp. 201 – 222. Washington, D. C: Center

Tumbar al patriarcado. Etnografía con agrupaciones femeninas de Tumbe Carnaval en Arica

music and dance of Tumbe Carnaval, which communities used as a form ofvisibilization and political action. Through a qualitative methodology based on ethnography with groups of women musicians and dancers ... that, as a tool for artistic-political action, Tumbe Carnaval goes beyond exclusively Afro-descendant concerns to denounce structural racism and gender inequality. Keywords: music; dance; gender; Tumbe

Tumbar al patriarcado. Etnografía con agrupaciones femeninas de Tumbe Carnaval en Arica

music and dance of Tumbe Carnaval, which communities used as a form ofvisibilization and political action. Through a qualitative methodology based on ethnography with groups of women musicians and dancers ... that, as a tool for artistic-political action, Tumbe Carnaval goes beyond exclusively Afro-descendant concerns to denounce structural racism and gender inequality. Keywords: music; dance; gender; Tumbe

Some Pieces of Film. Some Political Gestures: Conversation with Georges Didi-Huberman

, from a political and philosophical point of view.Keywords : Didi-Huberman; photography; Shoah; unimaginable; Judaism.

The Transparent Eyeball of the Nation: Walt Whitman’s Imagined Nation in “Song of Myself”

political limits, challenging the sovereignty of the nation. By examining “Song of Myself” in the six different editions of Whitman’s Leaves of Grass, this paper will further analyze Whitman’s style and his ... his nation. By “politics,” I refer to the religious, political, and social doctrines that shape the nation. By “literary,” I mean the traditional literary style of writing, such as the poem’s form