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Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... argentino, una antología (The New Argentine Short Story, An Antology), selected and prefaced by Elsa Drucaroff, and published in 2017 by the University Publishing House of the Faculty of Philosophy and

Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... Faculty of Philosophy and Letters of the UBA: “Lo que ha comenzado” (What has begun) by Alejandra Laurencich (1963–) and “Los viejitos” (The old couple) by Patricia Suárez (1969–), as well as the (short

Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... argentino, una antología (The New Argentine Short Story, An Antology), selected and prefaced by Elsa Drucaroff, and published in 2017 by the University Publishing House of the Faculty of Philosophy and

Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... argentino, una antología (The New Argentine Short Story, An Antology), selected and prefaced by Elsa Drucaroff, and published in 2017 by the University Publishing House of the Faculty of Philosophy and

Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... argentino, una antología (The New Argentine Short Story, An Antology), selected and prefaced by Elsa Drucaroff, and published in 2017 by the University Publishing House of the Faculty of Philosophy and

Maternidad/paternidad y el pasado no vivido: cuerpos divididos y monstruosos en la literatura argentina contemporánea

The article aims to analyze how in the experience of motherhood/fatherhood the human body can become a stamp of certain social, political, ideological, emotional changes that characterize our times ... argentino, una antología (The New Argentine Short Story, An Antology), selected and prefaced by Elsa Drucaroff, and published in 2017 by the University Publishing House of the Faculty of Philosophy and

La retórica agonista en “Las cosas que perdimos” en el fuego de Mariana Enriquez

Departing from Laclau and Mouffe, I propose that “Things we lost in the fire” of Enriquez opens a way for the political transformation of women, not linked to representation, but to rhetorical ... , problematizing the territorialization of singular affections in hegemonic social formations. This rhetoric suggests the possibility of dissensus of women where the condition becomes a political power of

La retórica agonista en “Las cosas que perdimos” en el fuego de Mariana Enriquez

Departing from Laclau and Mouffe, I propose that “Things we lost in the fire” of Enriquez opens a way for the political transformation of women, not linked to representation, but to rhetorical ... , problematizing the territorialization of singular affections in hegemonic social formations. This rhetoric suggests the possibility of dissensus of women where the condition becomes a political power of

La retórica agonista en “Las cosas que perdimos” en el fuego de Mariana Enriquez

Departing from Laclau and Mouffe, I propose that “Things we lost in the fire” of Enriquez opens a way for the political transformation of women, not linked to representation, but to rhetorical ... , problematizing the territorialization of singular affections in hegemonic social formations. This rhetoric suggests the possibility of dissensus of women where the condition becomes a political power of

Rostros afectivos como paisajes (rostros-paisaje) en las películas peruanas Rosa Chumbe (2015) y Magallanes (2015)

, indirectly and directly, the political and social consequences of past decades in Peruvian society. Above all, the consequences for some women of the anti-subversive policies and the state of exception that ... faces into landscapes to represent the way in which these political changes impact women's lives. Thus, the landscape of faces in the foreground takes center stage in trying to understand the complex

Rostros afectivos como paisajes (rostros-paisaje) en las películas peruanas Rosa Chumbe (2015) y Magallanes (2015)

, indirectly and directly, the political and social consequences of past decades in Peruvian society. Above all, the consequences for some women of the anti-subversive policies and the state of exception that ... faces into landscapes to represent the way in which these political changes impact women's lives. Thus, the landscape of faces in the foreground takes center stage in trying to understand the complex

Rostros afectivos como paisajes (rostros-paisaje) en las películas peruanas Rosa Chumbe (2015) y Magallanes (2015)

, indirectly and directly, the political and social consequences of past decades in Peruvian society. Above all, the consequences for some women of the anti-subversive policies and the state of exception that ... faces into landscapes to represent the way in which these political changes impact women's lives. Thus, the landscape of faces in the foreground takes center stage in trying to understand the complex

New Laboratory and Pilot Techniques Applied at Mintek in Aid of Furnace Containment System Designs

containment perspective, either an insulating or a conductive design philosophy can be applied, irrespective of the raw material being processed. In the initial stages of a project, desktop studies are ... associated with incorrect selection of a design philosophy and/or furnace containment system components, it is prudent to conduct tests on laboratory and pilot scale and to transfer the knowledge gained to

Una gramática del norte: filmar desde Salta. Micropolíticas del espacio y oralidad en el cine de Lucrecia Martel

In this article, I will observe two omnipresent mechanisms in the cinematography of Lucrecia Martel. In the first place, I will analyze in the film La ciénaga (2001) a political urgency to inquire ... definitively turns Martel's cinema into a project that brings with it a decentralizing gesture. in the Argentine cultural field. In this sense, there is a key political decision that runs through her films as a

Una gramática del norte: filmar desde Salta. Micropolíticas del espacio y oralidad en el cine de Lucrecia Martel

In this article, I will observe two omnipresent mechanisms in the cinematography of Lucrecia Martel. In the first place, I will analyze in the film La ciénaga (2001) a political urgency to inquire ... definitively turns Martel's cinema into a project that brings with it a decentralizing gesture. in the Argentine cultural field. In this sense, there is a key political decision that runs through her films as a

Una gramática del norte: filmar desde Salta. Micropolíticas del espacio y oralidad en el cine de Lucrecia Martel

In this article, I will observe two omnipresent mechanisms in the cinematography of Lucrecia Martel. In the first place, I will analyze in the film La ciénaga (2001) a political urgency to inquire ... definitively turns Martel's cinema into a project that brings with it a decentralizing gesture. in the Argentine cultural field. In this sense, there is a key political decision that runs through her films as a

Corporalidades mitológicas en la obra de Yorlady Ruíz López

This article analyzes of Yorlady Ruiz’ work, a Colombian artist, who configures new aesthetic territories of the body, suggesting political, erotic and historical readings of the country through ... ). Dispossession: The performative in the political. Polity Press. [ Links ] Butler, J. (2006). Vida precaria. El poder del duelo y la violencia. Paidós. [ Links ] Deleuze, G. et Guattari. (1972). L’Anti

Corporalidades mitológicas en la obra de Yorlady Ruíz López

This article analyzes of Yorlady Ruiz’ work, a Colombian artist, who configures new aesthetic territories of the body, suggesting political, erotic and historical readings of the country through ... ). Dispossession: The performative in the political. Polity Press. [ Links ] Butler, J. (2006). Vida precaria. El poder del duelo y la violencia. Paidós. [ Links ] Deleuze, G. et Guattari. (1972). L’Anti

Experimento y experiencia política: Las piezas didácticas o Lehrstücke de Bertolt Brecht y Kurt Weill

the composers Kurt Weill and Paul Hindemith, and Der Jasager, by the Brecht-Weill duo, we are interested in reflecting on the intersection between aesthetic experimentation and political experience ... alterable, people as dependent on certain political and economic factors and at the same time as capable of altering them” (pág. 82). En consecuencia, el teatro épico no representa, a diferencia del teatro

Experimento y experiencia política: Las piezas didácticas o Lehrstücke de Bertolt Brecht y Kurt Weill

the composers Kurt Weill and Paul Hindemith, and Der Jasager, by the Brecht-Weill duo, we are interested in reflecting on the intersection between aesthetic experimentation and political experience ... alterable, people as dependent on certain political and economic factors and at the same time as capable of altering them” (pág. 82). En consecuencia, el teatro épico no representa, a diferencia del teatro