Reviews of Independent Press Books in Counterpoise and Other Publications
Juris Dilevko
Keren Dali
-
sees its mission as providing a counter
balance to mainstream and corporate
media outlets. As Willett comments in the
Editors Notes of the inaugural issue of
Counterpoise, one of the journals found
ing premises is, If we castigate the New
York Times for its news bias, why trust its
book reviews? And what about main
stream library journalsar ent they wed
ded to profit, fame and privilege. Re
view journals, aping commerce and
government, have chosen money as their
first variable. 4 As a result, mainstream
journals and newspapers have a tendency
to review materials that are produced by
large, corporate-controlled publishers
who have significant marketing and ad
vertising budgets. Such mainstream ven
ues may not necessarily present
alternaJuris Dilevko and Keren Dali are members of the Faculty of Information Studies at the University of
Toronto; e-mail: and .
tive points of view encouraging social re
sponsibility, liberty and dissent, as af
firmed by the Universal Declaration of
Human Rights, The Bill of Rights of the
U.S. Constitution, the Library Bill of
Rights, the Talloires Declaration (aca
demic environmental stewardship), the
Valdez Principles (corporate environmen
tal responsibility), and related docu
ments. 5 In fact, because six media con
glomerates and the public relations
industryoperating in close association
with corporations, governments and uni
versitiescontr ol the production and dis
semination of most mainstream informa
tion and entertainment, concerned
librarians, educators and activists around
the world look to Counterpoise for access
to materials and ideas that liberate the
mind and defend democracy, peace, so
cial justice, and the environment. 6 This
is especially true because [w]hat distin
guishes Counterpoise from review journals
that just mirror the global, profit-oriented,
capitalist culture is its concern for posi
tive social change; what distinguishes it
from other alternative journals is the
breadth, depth and reliability of its cov
erage. 7
Invoking the names of Howard Zinn,
author of A Peoples History of the United
States, and Edward Herman, author of an
essay entitled T oward a Democratic
Media and coauthor with Noam
Chomsky of Manufacturing Consent: The
Political Economy of the Mass Media, Willett
suggests that for-profit media follow an
agenda that perpetuates historical bias by
telling stories from the point of view of
victors, not victims. On the other hand,
the ideas and publications of the alterna
tive press are often ignor ed, misrepre
sented or suppressed by corporate and
government media, 8 despite the fact that,
taken collectively, the alternative press is
an enormous body of books, pamphlets,
magazines, zines, and audiovisual and
electronic materials presenting socially
responsible knowledge, points of view
and choices. 9 In short, the alternative
press is a democratic media or ganized
and controlled by ordinary citizens and
their grassroots organizations. 10 Given
this background, Counterpoise describes,
criticizes, defends and promotes these [al
ternative] publications and products
against this bias, 11 that is, the bias of be
ing overlooked by mainstream reviewing
publications. And, as Willett suggests at
the conclusion of his editorial, fighting
against the bias of money-oriented,
mainstream review journals is a
neverending struggle that calls for a steady
infusion of monetary resources.12
Literature Review
The mere existence of a publication such
as Counterpoise testifies to the lively de
bate within librarianship about the effi
cacy of reviewing tools, especially with
regard to what Willett identifies as the
alternative press. The explosive growth
of small presses (or alternative presses)
in the 1960s and 1970s caused the library
community to ask itself hard questions
about the degree to which publications of
these small presses (or alternative presses)
were being collected by libraries. The
views of scholars such as Ross Atkinson,
who noted that a novel reviewed on the
front page of the New York Times Book Re
view would be purchased by libraries r e
gardless of who wrote the novel, where
it was published, what it is about, or even
what the review says about it 13 and that
academic titles reviewed in core journals
will invariably be acquired, led others to
ponder the responsibility of libraries in
collecting small press titles that may not
be reviewed at all, let alone in core jour
nals.
In 1984, Judith Serebnick and John
Cullars observed that 47.2 percent of
small press titles published in 1980 re
ceived at least one review, with ten jour
nals publishing 54.3 percent of those re
views.14 In 1992, Serebnick reported that,
of 450 small press titles published in 1986,
only 38.9 percent received at least one re
view and only twelve titles received six
or more reviews each.15 As in her earlier
study, a small number of journals (14)
accounted for a majority of all reviews
(53.4%).16 Journals most frequently re
viewing small press titles were Booklist,
Choice, Library Journal, and Publishers
Weekly, each with more than twenty re
views of such titles.17 In 2000, Juris
Dilevko and Alison Hayman demon
strated that both Library Journal and the
New York Times Book Review consistently
reviewed independently published fic
tion titles at a rate of between 30% and
40% of all fiction titles r eviewed by each
publication in 19941997 (Library Journal,
35.3%; New York Times Book Review,
37.2%).18 These two publications therefore
reviewed corporately published books at
a rate of 64.7 percent and 62.8 percent, re
spectively, of all published booksa per
centage that quite closely parallels the
market share of the seven corporate pub
lishers (66.2% in 1997), according to fig
ures supplied by Book Publishing Report. 19
Given the fact that the presence or absence
of reviews of small press titles is positively
related to the number of libraries owning
such titles,20 much energy has been de
voted to making publications of all types
more cognizant of small presses and thus
more amenable to reviewing the books
produced by them. Nevertheless, believ
ing that these efforts were insufficient,
Willett founded Counterpoise in 1997.
Purpose
Before outlining the purpose of this ar
ticle, a word needs to be said about the
use of the terms small pr ess or alter
native press. First, the very concept of
small press is problematic because it has
undergone a major transformation from
the BC era (before personal computers
or prior to 1980) to the beginning of the
twenty-first century.21 Indeed, the evolu
tion has been such that Tom Person sug
gests replacing small pr ess with the
more pragmatic term independent pub
lishing or independent pr ess, which
he defines as a company that does not
belong to another company or corpora
tion. 22 From this point of view, then, the
terms small pr ess, independent
press, and alternative pr ess ar e syn
onymous because these presses produce
titles that present an alternative to main
stream or corpor (...truncated)