Preface (Special Issue, The Greeks Institute)
Sacred Heart University Review
Volume 9
Issue 2 The Greeks Institute
Article 1
Spring 1989
Preface (Special Issue, The Greeks Institute)
Judith Davis Miller
Sacred Heart University
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Miller, Judith Davis (1989) "Preface (Special Issue, The Greeks Institute)," Sacred Heart University Review: Vol. 9 : Iss. 2 , Article 1.
Available at: http://digitalcommons.sacredheart.edu/shureview/vol9/iss2/1
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Preface (Special Issue, The Greeks Institute)
Cover Page Footnote
Articles based on The Greeks Institute, a series of lectures presented to secondary school teachers in the
Bridgeport Public Schools during the spring of 1989. Co-sponsored by the Connecticut Humanities Council,
Sacred Heart University, and the Bridgeport Public Schools.
This article is available in Sacred Heart University Review: http://digitalcommons.sacredheart.edu/shureview/vol9/iss2/1
Miller: Preface (Special Issue, The Greeks Institute)
Preface
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The essays in this selection explore the roots of classicismTnTf!
century B.C. Greece. The articles are based on The Greeks Institute, a
series of lectures presented to secondary school teachers in the
Bridgeport Public Schools during the spring of 1989. Co-sponsored
by the Connecticut Humanities Council, Sacred Heart University,
and the Bridgeport Public Schools, the purpose of the institute has
been to provide teachers with an interdisciplinary exploration of
classical Greece for the purposes of professional enrichment and
curriculum development. The institute will culminate with teachers
and their students attending The Greeks, a lecture/performance
presented by the Humanities Touring Group that brings the glories of
classical Greece to life on the stage.
The essays in this collection, drawn from the disciplines of art
and architecture, history, literature and drama, philosophy, and
religious studies, explore the origins, dominant manifestations, and
influence of the Greek classical phenomenon. Representing the
implications of current research on our understanding of Greek
classicism, the essays are intended to provide a context for a renewed
understanding of the period. Taken together, they illustrate the
emphasis on the community and the state in the Greek world, as
represented by the political structure of the city states, the communal
role of sacrifice in religious ritual, and the theme of conflict between
the state and the individual in many tragedies such as Sophocles'
Antigone. The clarity, simplicity, and restraint associated with Greek
classicism are brought out in the discussions'of philosophy, religion,
drama, and art and architecture, providing a rounded view of these
qualities at their height in the fifth century B.C.
While Greek classicism has most often been associated with the
qualities of excellence, simplicity, restraint, and balance of form,
perhaps most invigorating for the modern consciousness is the gusto,
the love of life ubiquitous in all of its aspects. The lusty wars and
heroic adventures of Homer's Iliad and Odyssey, the quest for truth
and the meaning of life by Plato, Socrates, and Aristotle, the life-like
sculptures of Phidias, the intensity of the agon experienced by
Euripides' Medea — all speak to us today of an appreciation for this
world that somehow still lives.
Published by DigitalCommons@SHU, 1989
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Sacred Heart University Review, Vol. 9, Iss. 2 [1989], Art. 1
Indeed, the essays bring out what is perhaps one of the most
astounding characteristics of the Greek classical period: its continued
presence in and influence upon subsequent cultures. This is perhaps
most obviously present in art and architecture; Roch-Josef di Lisio's
essay on that subject traces a recurring cycle of classical impulses
from the fifth century B.C. through the Renaissance, the eighteenthcentury neoclassical or Augustan period, and the early nineteenthcentury Classic Revival encouraged by Napoleon, to the present.
Buildings with the classic Greek columns and pediment can be found
in most American cities such as Bridgeport to this day. Thomas
Curran's essay also points out the classical Greek influence latent in
the American political structure, in questions of educational
philosophy, and in the Judeo-Christian western religious sensibility
as well. Furthermore, literature today still utilizes terms and genres
first developed'by the Greeks and codified-by Aristotle and other
Greek literary theorists. Even as we struggle to cope with the modern
world and express its ambiguities and complexities in our own terms,
Greek classicism remains as an enduring human cultural impulse.
Thus, it is appropriate that the final essay, by Dale Woodiel, discusses
the techniques of communicating an understanding of this phenomenon to today's high-school students.
In closing, I, would like to acknowledge the generosity of Sidney
Gottlieb, editor of the Sacred Heart University Review, in giving over
an entire issue to The Greeks Institute. I am grateful for the
participation of the Institute's lecturers: Thomas Curran, Roch-Josef
di ,Lisio, Sidney Gottlieb, Richard Grigg, John Jalbert, Robin
McAllister, and Dale Woodiel.iCo-director James Betz, Supervisor
of English for the Bridgeport Public Schools, has exemplified for me
the qualities of cooperation and enthusiasm, and the lectures would
not have moved forward as smoothly and productively as they have
done without his efforts. As always, however, the key component in
the success of the institute has been the teachers who have
participated in it. To them,and-to4heir students, who will carry
forward,the classical impulse in whatever its newest manifestations
turn out.to be, this issue of the Sacred Heart Review is dedicated.
Judith Davis Miller
Director, The Greeks Institute
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