Balancing Mickey Mouse and the Mutant Copyright: To Copyright a Trademark or to Trademark a Copyright, That is the Question
Marquette Intellectual Property Law Review
Volume 24
Issue 1
Article 7
Winter 2020
Balancing Mickey Mouse and the Mutant Copyright: To Copyright
a Trademark or to Trademark a Copyright, That is the Question
Michael A. Forella III
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Recommended Citation
Michael A. Forella III, Balancing Mickey Mouse and the Mutant Copyright: To Copyright a Trademark or to
Trademark a Copyright, That is the Question, 24 Marq. Intellectual Property L. Rev. 1 (2020).
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BALANCING MICKEY MOUSE AND THE
MUTANT COPYRIGHT: TO COPYRIGHT A
TRADEMARK OR TO TRADEMARK A
COPYRIGHT, THAT IS THE QUESTION
MICHAEL A. FORELLA III
I. INTRODUCTION ............................................................................................ 77
II. THE DIFFERENCES BETWEEN TRADEMARKS AND COPYRIGHTS ............... 78
III. THE RULES FOR COPYRIGHTING TRADEMARKS AND THE ARGUMENTS IN
FAVOR THEREOF................................................................................... 79
IV. WHY ARGUING THAT TRADEMARKS FAIL THE COPYRIGHT REQUIREMENT
BECAUSE THEY LACK CREATIVITY IS A PROBLEM ............................... 82
V. THE ARGUMENTS AGAINST COPYRIGHTING TRADEMARKS...................... 84
VI. TO TRADEMARK A COPYRIGHT, NOT COPYRIGHT A TRADEMARK, THAT IS
THE RULE .............................................................................................. 90
I. INTRODUCTION
“Wolde ye bothe eate your cake, and haue your cake?” This proverbial
saying dates to mediaeval times, first appearing in 1546.1 Despite the dramatic
change in language and spelling, the meaning of this phrase was never lost in
translation. One cannot simultaneously eat one’s cake and retain possession of
one’s cake. Both trademark owners and the Copyright Office want to have their
cake and eat it too. Trademark owners are trying to register their trademarks as
copyrights. The Copyright Office wants to deny such marks, but under a weak
lack of a creativity argument. Allowing trademarks to be registered as
copyrightable works violates the clear doctrines of the boundaries of protection
available in each area of intellectual property law.
There is no direct rule from Congress or the Supreme Court that a logo or
slogan cannot also be a copyrightable work. However, the necessary
intellectual property law boundaries are in place for good reason and support
the argument presented herein that a clearly demarcated line between copyright
and trademark protection must also be drawn. That clear demarcation should
1. Ben Zimmer, ‘Have Your Cake and Eat It Too’, NEW YORK TIMES MAGAZINE, (Feb. 18,
2011), https://www.nytimes.com/2011/02/20/magazine/20FOB-onlanguage-t.html.
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MARQ. INTELL. PROP. L. REV.
[Vol. 24:1
be that an image originally created, exploited, and that functioned as a copyright
may later meet trademark’s requirements and therefore be eligible for
concurrent trademark and copyright protection. However, a mark originally
created, exploited, and that functioned as a trademark cannot receive copyright
protection, concurrent or sequential, regardless of creativity. This is
determined by the applicant declaring during their copyright application that
the work seeking registration is not a designator of a source of goods under
penalty of fraud on the Copyright Office.2
In Section I, this comment discusses the differences between trademarks
and copyrights. In Section II, this comment analyzes the rules for copyrighting
trademarks and the arguments in favor of copyrighting trademarks. In Section
III, this comment addresses the problems of arguing that trademarks fail
copyright requirements for a lack of creativity. In Section IV, this comment
weighs the arguments against copyrighting trademarks. Section V concludes
by proposing a bright line rule for either Congress or the courts to adopt to
provide guidance that copyrighting a trademark is prohibited.
II. THE DIFFERENCES BETWEEN TRADEMARKS AND COPYRIGHTS
A trademark is “any word, name, symbol, or device, or any combination
thereof” that is registered with the United States Patent and Trademark Office
and is used in commerce “to identify and distinguish” the source of goods and
services.3 To be trademarked, the mark must either be distinctive or attain
secondary meaning through public association.4 Therefore, trademark law
protects the source identifying function of goods and services. Contrarily, a
copyright is an original work of authorship, such as a literary, musical,
audiovisual, or pictorial work, that is fixed in a tangible medium of expression.5
Therefore, copyright protects the expressive content of works.
Copyright protection is granted by the Constitution’s Intellectual Property
Clause which grants Congress the authority “[t]o promote the Progress of
Science and useful Arts, by securing for limited Times to Authors … the
exclusive Right to their [] Writings and Discoveries.”6 Copyright protection is
designed to incentivize authors to create creative works. In 1879, the Court
distinguished copyright and trademark protection when the Supreme Court
2.
3.
4.
5.
6.
17 U.S.C. § 411(b)(1) (2008); 17 U.S.C. § 506(e) (2008).
15 U.S.C. § 1127 (2006).
Id.
17 U.S.C. § 102 (1990).
U.S. CONST. art. I, § 8, cl. 8.
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MICKEY MOUSE VS. THE MUTANT COPYRIGHT
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ruled that the Commerce Clause does not give Congress any power to regulate
trademarks not used in commerce.7
In contrast, Trademark protection is granted by the Constitution’s
Commerce Clause which grants Congress the power “[t]o regulate Commerce
… among the several States ….”8 Trademark protection is designed to ensure
consumers are informed as to the source of the goods they purchase.9
Moreover, for famous trademarks, protection encompasses the likelihood of
harm caused by the blurring or tarnishing caused by a knock-off mark
regardless of “likely confusion, [] competition, or [] actual economic injury.”10
Copyright and trademark protection were created for different purposes and
therefore have different protections and limitations. Thus, it is no surprise that
the boundaries between the two have blurred.
III. THE RULES FOR COPYRIGHTING TRADEMARKS AND THE ARGUMENTS IN
FAVOR THEREOF
What is required for something to be creative? The Compendium, the
Copyright Office’s administrative manual, Section 913.1 states “[a] visual art
work that is used as a trademark, logo, or label may be registered if it satisfies
‘the requisite qualificati (...truncated)