Forging a New World Order? Interdisciplinary Perspectives on the Management of Metalworking and Ideological Change in the Late Bronze Age Carpathian Basin
Journal of Archaeological Method and Theory (2023) 30:565–610
https://doi.org/10.1007/s10816-022-09566-6
Forging a New World Order? Interdisciplinary Perspectives
on the Management of Metalworking and Ideological
Change in the Late Bronze Age Carpathian Basin
V. Orfanou1,2 · S. Amicone3,4 · V. Sava5 · B. O’Neill1,6 · L. E. F. Brown1,6 ·
C. Bruyère1,2 · B. P. C. Molloy1,2
Accepted: 18 May 2022 / Published online: 12 July 2022
© The Author(s) 2022
Abstract
The Carpathian Basin was a highly influential centre of metalworking in the 2nd
mil. BC. Nevertheless, despite the abundance of metal objects from the Late Bronze
Age, the scarcity of contextually associated metalworking remains representing distinct phases of the metalworking cycle from this region is striking. Here, we explore
Late Bronze Age metalworking through the lens of a uniquely complete metalworking assemblage from the site of Șagu from contexts spanning the sixteenth to early
thirteenth century BC. This material provides insights into changes in craft organisation following socio-political change after the collapse of Middle Bronze Age
tell-centred communities. Our approach combines analytical and experimental data
together with contextual analysis of technical ceramics (crucible, mould, and furnace fragments) to reconstruct the metalworking chaîne opératoire and place Șagu
in its broader cultural context. Analyses demonstrate clear technological choices in
ceramic paste recipes and strong interlinkages between metallurgy and other crafts
practised on site, from domestic pottery production to building structures. Experimental replications reveal important intrinsic and experiential aspects of metallurgical activities at Șagu. Evidence on the spatial organisation of metallurgical workflows (routine sequence of actions and decisions) suggests they incorporated a high
degree of visibility, which marks a distinct change in the use of craft space compared
to the context of densely occupied Middle Bronze Age tells nearby. Combined, our
archaeometric, experimental, and contextual results illustrate how changes in metalworking activities in the Late Bronze Age Carpathian Basin were deeply embedded
in an ideological shift in the aftermath of the breakdown of Middle Bronze Age tells
and the emergence of new social structures.
Keywords Late Bronze Age · Carpathian Basin · Crucible metallurgy · Technical
ceramics · Experimental archaeology
* B. P. C. Molloy
Extended author information available on the last page of the article
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Introduction
Following hundreds of thousands of years of stone tool use, metal took as little as
3000 years to progress from a rare, prestige material to a staple resource defining routine social practices. By the mid-2nd mil. BC, Europe was defined by these metalusing societies. Wider social strategies of wealth, power, display, and control facilitated
this transformation through craft environments. The choices made by past craftspeople
extended beyond raw materials or tools used, as they were also socially and culturally
defined (Pfaffenberger, 1992). The latter places the transfer of technological know-how
at the heart of social networks. Thus, the management of metalworking can reflect differentiated political and ideological thought packages (e.g. see Zori, 2019), as much as
technological decision making within its human–environment interaction context (Sofaer,
2006). Here, we present analysis of a uniquely complete Late Bronze Age (LBA) metalworking assemblage to provide new insight into how changes in craft organisation were
instrumentalised following a period of significant social change. This covers the collapse
of the political infrastructures of the Middle Bronze Age in the southeastern Carpathian
Basin ca. 1600–1550 BC and the reconfiguration of societies in the following LBA I and
II (1600/1550–1200 BC) periods.
Recent research has shed new light on the origins of global metallurgy in southeastern
Europe during the Neolithic. The transformative potential of metallurgy as a craft fosters creative and cultural expressions through its practice, along with the activities metal
products enable (Jørgensen et al., 2018; Radivojević et al., 2021; Sofaer, 2006). By the
Late Bronze Age, metalwork had become ubiquitous to the extent that it shaped lifeways
through routine activities while also forming a core component of economic and ritual
expressions of power across Europe (Brück & Fontijn, 2013; Earle et al., 2015; Fontijn,
2019). Archaeometric research has revealed insights into the circulation of metal as a
resource and into object biographies (through metallography, metalwork wear analysis,
and fragmentation studies) that explore specific human-object interactions over time (e.g.
Dolfini & Crellin, 2016, Horn & von Holstein, 2017, Knight, 2019, Ling et al., 2019,
Mödlinger & Trebsche, 2021, Mödlinger, 2011, 2021, Molloy, 2018, Nørgaard et al.,
2021, Radivojević et al., 2019, Radivojević et al., 2021, Tarbay et al., 2021). Fewer studies have focussed on craft choices through the lens of particular technical ceramics, and
these typically focus on specific components of the chaîne opératoire (Amicone et al.,
2020b, Binggeli, 2011; Eklöv Pettersson, 2012; Ó Faoláin 2004; Needham 1980; Sahlén,
2013). Considering Ottaway’s (2001: Fig. 1) or Molloy and Mödlinger’s (2020: Table 1)
models of the metalworking cycle, there are notable gaps in our knowledge because much
focus has been placed on the finished products and less on the creative, organisational,
and power dynamics which can elucidate the social context enabling the metal consumption revolution that characterised the Late Bronze Age (Vandkilde, 2016). While this
is often a limitation dictated by the archaeological record itself, the study of the role of
Bronze Age metalwork and metalworking has nonetheless gravitated towards finished
objects and their social roles. The status and identity of bronze workers in prehistory,
and how the organisation of their craft articulated with elite agendas of resource management, has often been built on ethnography, theory, or mortuary archaeology, though
recent work takes greater account of Budd and Taylor’s call to better integrate theory
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Fig. 1 Map of the Carpathian Basin showing the locations of sites mentioned in the text and major rivers
(base map from The European Environment Agency; www.eea.europa.eu)
with archaeometric approaches (Budd & Taylor, 1995; see also Brandherm, 2009; Iles &
Childs, 2014; Jantzen, 2008; Jockenhövel, 2018; Neipert, 2006; Nessel, 2013; Rowlands,
1971). Broader studies of the Bronze Age metalworking chaîne opératoire have focussed
on regional overviews, theoretical reflections on practice, or general technical principles,
which provide top-down perspectives on the period in Europe (Kuijpers, 2018a; Molloy
& Mödlinger, 2020; Ottaway, 2001).
The study of (...truncated)