Japanese Paper Threads as a Proposal for the Conservation of Pre-Hispanic Cordage. Evaluation of its Characteristics and Resistance
Research article
Intervención
ISSN 2448-5934
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Japanese Paper Threads as a
Proposal for the Conservation
of Pre-Hispanic Cordage.
Evaluation of its Characteristics
and Resistance
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DOI: 10.30763/Intervencion.281.v1n27.60.2023 • YEAR 14, ISSUE NO. 27: 218-242
Submitted: 17.03.2022
•
Accepted: 05.07.2023
•
Published: 30.09.2023
Gloria Martha Sánchez Valenzuela
Orlando Martínez Zapata
Departamento de Conservación de
Laboratorio de Fisicoquímica,
Arqueología de Material Orgánico,
Escuela Nacional de Conservación,
Coordinación Nacional de Conservación de
Restauración y Museografía (encrym),
Patrimonio Cultural (cncpc),
Instituto Nacional de Antropología e Historia
Instituto Nacional de Antropología e Historia
(inah), Mexico
(inah), Mexico
orcid: https://orcid.org/0000-0003-2865-8317
orcid: https://orcid.org/0000-0002-8031-0089
Miriam Elizabeth Castro Rodríguez
Centro inah Durango,
Instituto Nacional de Antropología e Historia (inah), Mexico
|
orcid: https://orcid.org/0000-0001-8334-4869
Translation by Richard Addison
ABSTRACT
The following paper presents the results from the physical characterization and
subsequent application of yarns made from Japanese paper, whose features
and properties in the field of conservation-restoration have proved useful for the
intervention of archaeological objects of organic origin. This research article describes the process of thread elaboration as well as the evaluation of its physiomechanical properties through the analysis of mechanical traction, where the
thickness of the thread is directly proportional to the force required to generate the
thread’s failure, meaning that the properties of the threads can be varied, depending on the specific conservation need.
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KEYWORDS
japanese paper threads, mechanical testing, threads, Candelaria cave, physical
ISSN 2448-5934
characterization of threads
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INTRODUCTION
andelaria Cave is in the Comarca Lagunera, South-West of
the state of Coahuila, Mexico, at the foot of the Sierra de la
Candelaria, in the Delicias Valley; its warm and dry conditions have favored the preservation of the extensive heritage found
there (Figure 1). The cave opens about 30 m above the level of the
cavern, whose chimney-like entrance, approximately 1 m in diameter, widens transversely and vertically reaching towards the highest chamber, the site where most of the anthropological materials
were found (Figure 2) (Aveleyra, 1956).
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FIGURE 1. The location of the state of Coahuila and the Cueva de la Candelaria in the state of
Coahuila (Sources: travelbymexico.com & Sánchez, 2017, p. 408).
FIGURE 2. The
Cueva de la
Candelaria entrance
is a chimney-type
structure (Source:
Aveleyra, 1956,
p. 49).
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The cave’s discovery happened by chance in the 1950s, when
a native from the region found it along with several corpses and
other objects whose relevance, due to the large amount of organic
materials deposited there (more than 2 000 well-preserved objects
including skeletal remains, textiles, fabrics, ornaments, utilitarian
elements, among others), led to a joint project between the state
government and the Instituto Nacional de Antropología e Historia
(inah, National Institute of Anthropology and History) for the exploration and proper transmission of the importance of the site (Aveleyra, 1956).
Thus, in 1953, the first formal research project executed by inah
in northern Mexico began, led by Dr. Pablo Martínez del Río, director of the area of prehistoric studies. It spanned various seasons and involved different specialists, such as Manuel Maldonado
Koerdell (geologist and paleontologist), Arturo Romano (physical
anthropologist), Francisco González Rul, Martínez del Río himself, Luis Aveleyra (archaeologists), and Ignacio Bernal (historian),
among others (González, 1998, p. 62), who all devoted themselves
to the cave’s exploration, recovering a large number of commonly
used objects that belonged to the deceased and that were then
placed alongside their remains (Aveleyra, 1956).
The chamber’s floor was largely concealed both by collapsed
materials and by several scattered mortuary bundles, most partially opened, with their contents all over the place because of pilferers
and the impact from falling rocks from the cave’s ceiling that had
come loose and fallen on the bundles, as well as the natural decomposition of the corpses and intrusions made by smaller animals.
Perhaps the most destructive of all of these was the activity from
previous looters. The remains deposited there show that they were
the product of a desert culture, where the settlers must have developed physiological features as an adaptive response to the environment. Although their apparent condition as ‘hunter-gatherers’
seems to place them in the category of nomads, it is inferred, from
the remarkable cultural attire associated with the recovered funerary bundles, that such nomadism was relative, since they had to
have prolonged settlements in one place to obtain the fibers and
threads that permitted the manufacture of derived elements, such
as shawls, baskets, sandals, etc. (Weitlaner-Johnson, 1977, p. 5).
The preservation of goods of organic origin was possible thanks
to the dry atmospheric conditions, a constant temperature and relative humidity (rh), as well as the absence of light; all these factors
helped to prevent the degradation of the plant and animal fibers.
The preservation of these artifacts constituted a great rarity at the
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time and would continue to be so were it not for the excellent research work developed by the multidisciplinary team of 1953, as
is evident from Aveleyra (1956), Weitlaner-Johnson (1977), and
the reports stored in the archeology technical archive (inah), which
stimulated a group of sponsors from La Laguna to raise funds in
order to build an adequate space to house the rescued material, so
that on November 22, 1976, the first phase of the Museo Regional
de la Laguna (Murel, Regional Museum of La Laguna) in Torreon
was inaugurated.
According to archaeologist Luis Aveleyra Arroyo de Anda, first director of the Centro inah Coahuila, once the objects had been studied
the collection was divided in two. The first, based in the old Museo
Nacion (...truncated)