Kunapipi 24 (1&2) 2002 Full version
Kunapipi
Volume 24 | Issue 2
2002
Kunapipi 24 (1&2) 2002 Full version
Anne Collett
University of Wollongong,
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Collett, Anne, Kunapipi 24 (1&2) 2002 Full version, Kunapipi, 24(2), 2002.
Available at:http://ro.uow.edu.au/kunapipi/vol24/iss2/1
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Article 1
Kunapipi 24 (1&2) 2002 Full version
Abstract
Full text of issue
This full issue is available in Kunapipi: http://ro.uow.edu.au/kunapipi/vol24/iss2/1
KUNAPIPI
Journal of Post-Colonial Writing
KUNA PIPI
Journal of Post-Colonial Writing
VOLUME XXIV NUMBERS 1 & 2
2002
Kunapipi is a bi-annual arts magazine with special but not exclusive emphasis on
the new literatures written in English. It aims to fulfil the requirements T.S. Eliot
believed a journal should have: to introduce the work of new or little known
writers of talent, to provide critical evaluation of the work of living authors, both
famous and unknown, and to be truly international. It publishes creative material
and criticism. Articles and reviews on related historical and sociological topics
plus film will also be included as well as graphics and photographs.
The editor invites creative and scholarly contributions. The editorial board
does not necessarily endorse any political views expressed by its contributors.
Manuscripts should be double-spaced with footnotes gathered at the end, should
conform to the Harvard (author-date) system. Wherever possible the submission
should be on disc (soft-ware preferably Microsoft Word) and should be
accompanied by a hard copy. Please include a short biography, address and email
contact if available.
Kunapipi is an internationally refereed journal of postcolonial literature
formally acknowledged by the Australian National Library. Work published in
Kunapipi is cited in The Journal of Commonwealth Literature’s Annual
Bibliography (UK), The Year’s Work in English Studies (UK), The American
Journal of African Literature (USA), The Grahamstown Information Journal (SA),
Australian Literary Studies, The Indian Association for Commonwealth Studies,
(India), The New Straits Times (Indonesia), The Australian Public Affairs
Information Service (produced by the National Library of Australia) and the MLA.
All correspondence (manuscripts, inquiries, subscriptions) should be sent to:
Anne Collett
Editor — KUNAPIPI
English Studies Program
University of Wollongong
Wollongong NSW 2522
Australia
SUBSCRIPTION RATES
Individuals: 1 year AUD $50.00
Institutions: 1 year AUD $120.00
Please note that if payment is made in currencies other than AUD$, the equivalent
of $ 10.00 must be added to cover banking costs. Cheques should be made payable
to Kunapipi Publishing.
Internet: http://www.uow.edu.au/arts/kunapipi/
Copyright © remains with the individual authors
This book is copyright. Apart from any fair dealing for the purposes of private
study, research, criticism or review as permitted under the Copyright Act no part
may be reproduced without written permission. Enquiries should be made to the
editor.
ISSN 0106-5734
Kunapipi
VOLUME XXIV NUMBERS 1 & 2, 2002.
Editor
ANNE COLLETT
Sub-Editor
GREG RATCLIFFE
Editorial Advisors
DIANA BRYDON, LEE THUAN CHYE, MARGARET DAYMOND, ERNEST
K. EMENYONOU, HELEN GILBERT, GARETH GRIFFITHS, ALAMGIR
HASHMI, ARITHA VAN HERK, ALAN LAWSON, RUSSELL MCDOUGALL,
HENA MAES-JELINEK, GANESH MISHRA, ALASTAIR NIVEN, KIRSTEN
HOLST PETERSEN, BRUCE CLUNIES ROSS, PAUL SHARRAD, KIRPAL
SINGH, HELEN TIFFIN, GERRY TURCOTTE, JAMES WIELAND, RAJIVA
WIJESINHA, MARK WILLIAMS, R. ZHUWARARA
Production
GREG RATCLIFFE
Five Year Subscriptions
Tribute to Anna
Isabel Carerra
Helen Gilbert
Gareth Griffiths
Dorothy Jones
Russell McDougall
Paul Sharrad
Chris Tiffin
Adi Wimmer
Jeanne Delbaere
Zeny Giles
Berhard Hickey
Paul Love
Hena Maes-Jelinek
Jennifer Strauss
Helen Tiffin
Acknowledgements
Kunapipi is published with assistance from the Association for Commonwealth
Literature and Language Studies and the European branch of the Association and
the Institute for Social Change and Critical Inquiry (ISCCI) at the University of
Wollongong.
Images from Tkama-A damastor
UtÀ 2f^ twatersrant*
Images from T'kama-Adamastor
© University of Witwalersrand
European A ssociation fo r Com m onw ealth Literature a n d La ngu age Studies
A@LALS
Front Cover: ‘Fikile Mlotshwa, a comforter for hearings in the Johannesburg
area, 29 May 1997’. Photograph by Jillian Edelstein.
¿v T kama-A damastor
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Images from T'kama-Adamastor
Images from
©UniversityofWitwatersrand
© University of Witwatersrand
Kunapipi refers to the Australian Aboriginal myth of the Rainbow Serpent which
is the symbol both of creativity and regeneration. The journal’s emblem is to be
found on an Aboriginal shield from the Roper River area of the Northern Territory
of Australia.
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*
J
Images from Tkama-A damastor
© University of Witwatersrand
Contents___________________________
Editorial Anne Collett
ARTICLES
Lucy Valerie Graham, ‘“A Hidden Side to the Story”: Reading Rape
in Recent South African Literature’
M.J. Daymond, ‘Bodies of Writing: Recovering the Past in
Zoe Wicomb’s David’s Story and Elleke Boehmer’s Bloodlines’
Simon Lewis, ‘If the Zoot Fits, Wear It: The Democratic Potential
of Demotic Language in Twenty-First Century South Africa’
Meg Samuelson, ‘The Rainbow Womb: Rape and Race in
South African Fiction of the Transition’
Gillian Gane, ‘Unspeakable Injuries in Disgrace and David’s Story’
Heilna du Plooy, ‘Traces of Identity in the Mirror of the Past’
Gina Wisher, ‘Redefining an African Sky: South African Women’s
Writing Post-Apartheid’
Dorothy Driver, ‘Women Writing Africa: Southern Africa as a
Post-Apartheid Project’
Thenjiwe Magwaza, ‘The Conceptualisation of Zulu Traditional
Female Dress in the Post-Apartheid Era’
Liz Gunner, ‘A Royal Woman, an Artist, and the Ambiguities of
National Belonging: The Case of Princess Constance Magogo’
J. U. Jacobs, ‘Zakes Mda’s The Heart of Redness:
The Novel as Umngqokolo’
Kai Easton, ‘Travelling through History, “New” South African Icons:
The Narratives of Saartje Baartman and Krotoa-Eva in
Zoe Wicomb’s David’s Story’
Margaret Hanzimanolis, ‘South African Contact Narratives:
The Case of T’Kama Adamastor and Its Reconstructive Project’
Miki Flockemann, ‘Spectacles of Excess or Threshold of “Newness”?:
Brett Bailey and the Third World Bunfight Performers’
FICTION
Kevin Parry, ‘World Cup’
D. Can Themba and Gopal S. Naransamy, ‘Baby Come Duze’
P.G. du Plessis, ‘Our Mouth’
Rose Richards, ‘Luvandwar’
PHOTO ESSAYS
Jillian Edelstein, ‘Truth & Lies’
Sue Williamson, ‘Truth Games’
INTERVIEWS
Achmat Dangor in interview with Elaine Young
Elana Bregin in interview with Siphokazi Koyana and Rosemary Gray
NOTES ON CONTRIBUTORS
9
25
73
88
101
126
140
155
193
205
224
237
251
275
61
83
114
291
39
182
52
173
297
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