Constructing the new Nepal: Religious Billboards in Nepal’s Second People’s Movement
Himalaya, the Journal of the
Association for Nepal and
Himalayan Studies
Volume 35 | Number 1
Article 8
July 2015
Constructing the new Nepal: Religious Billboards
in Nepal’s Second People’s Movement
Michael Baltutis
University of Wisconsin, Oshkosh,
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Recommended Citation
Baltutis, Michael (2015) "Constructing the new Nepal: Religious Billboards in Nepal’s Second People’s Movement," Himalaya, the
Journal of the Association for Nepal and Himalayan Studies: Vol. 35: No. 1, Article 8.
Available at: http://digitalcommons.macalester.edu/himalaya/vol35/iss1/8
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Constructing the new Nepal: Religious Billboards in Nepal’s Second
People’s Movement
Acknowledgements
This research was conducted with the assistance of a Fulbright grant (2005-2006). Many thanks to Binod
Pokharel, Dina Bangdel, and Ramesh Parajuli, who assisted me with the translations of the billboards, as well
as to Jessica Vantine Birkenholtz and Megan Adamson Sijapati, who provided comments on an earlier version
of this paper.
This research article is available in Himalaya, the Journal of the Association for Nepal and Himalayan Studies:
http://digitalcommons.macalester.edu/himalaya/vol35/iss1/8
Constructing the New Nepal: Religious Billboards in
Nepal’s Second People’s Movement
Michael Baltutis
Accompanying King Gyanendra’s February First,
2005, efforts to consolidate his loosening grip
on national power, the royal Nepali government
raised a series of highly visible billboards
throughout the cities of the Kathmandu Valley.
A small subset of these boards were explicitly
religious, encouraging Nepal’s citizens to
perform their patriotic bhakti (devotion), karma
(action), and dharma (duty). This rhetorical
support of a ‘universal’ Hinduism contradicted
the inclusivism that was widely regarded as
part and parcel of the ‘new Nepal’ and resulted
in a contradictory vision of the same: a modern
secular nation composed of citizens, rather
than of subservient subjects, unified by and
working together with a Hindu monarch for the
betterment of the nation.
This conflict contributed to the widespread
skepticism with which these signs were met,
indicated by the multiple acts of graffiti,
vandalism, and outright destruction brought
against them, and by their removal by the
24 | HIMALAYA Spring 2015
royal government fifteen months later. This
paper will detail the form and content of these
religious billboards and argue that this religious
language was one of the reasons behind their
failure to deliver a message amenable to the
middle class citizens of Kathmandu, as diverse
parties throughout contemporary Nepal
worked to define the multivalent ‘new Nepal.’
Keywords: Nepal, politics, religion, media, royalty.
Introduction
“It is our faith that we will all join together for the
construction of a strong and successful new Nepal
that is firmly committed to constitutional monarchy and multiparty democracy.”
saṁvaidhānik rājtantra ra bahudalīya prajātantra
jagmā adiera sabal ra samunnata nava nepāl nirmāṇ
mā hāmī sabai juṭnu pardcha bhanne hāmro viśvās
cha
– Billboard on Kathmandu’s Kanthipath Road, attributed to Śrī 5 Gyānendra
The multivalent term ‘new Nepal’ (N. nayā Nepāl) used in
the billboard quoted above has become the watchword
of parties in many quarters of Nepali society to name the
social, developmental, and political processes currently
at work in post-monarchical Nepal.1 Due to the official
processes of bringing to an end the Nepali monarchy in
2006-2008 and the absence of a constitution since 2006,
many citizens anticipate this desired ‘new Nepal’ while
transitioning from an implied ‘old Nepal,’ a nation that was
ruled by an active monarchy and racked by a decade-long
civil war with Maoist rebels. The issues at stake in the new
Nepal are generally those that had been rejected in the forty-point demand that the Maoist party had attempted to
negotiate in 1996: nationality, democracy, and livelihood
(Hutt 2004: 5, 285-287). Similarly, scholarship on the new
Nepal, in positing and predicting the nation’s trajectory,
builds off of these same concerns, taking up such additional issues as freedom of the press (Hutt 2006), the political
power of indigenous groups (Hangen 2007), the role of
informal institutions in the political exclusion of marginalized groups (Lawoti 2008), the sociology of the conflict
itself (Lawoti and Pahari 2010), and the 1990 Constitution
that reinforced the institutional problems to which Maoist
rebels and social and ethnic activists responded (Malagodi
2013).
Much of this scholarship specifically utilizes the term ‘new
Nepal’ as it accounts for, projects, and occasionally prescribes the characteristics of the democratizing nation and
largely focuses on the concept of inclusion (N. samābeśi)
that counters the “monolithic” Nepal whose constitution
“had been blamed for institutionalizing, legitimizing, and
engendering patterns of exclusion and discrimination”
(Malagodi 2013: 3).2 In his 2010 book New Nepal: The Fault
Lines, strategic analyst Nishchal Pandey describes the
new Nepal as an “inclusive and democratic” nation that
includes “the concept of federalism based on ethnicity”
(Pandey 2010: 38, 44). The new Nepal, Pandey writes,
represents a “‘positive transformation’ of the state from
a centralized, unitary, feudal rule of only a certain privileged section of the society to an inclusive, federal and a
truly democratic republic…” (Pandey 2010: 2). Similarly,
journalist Rita Manchanda emphasizes the shift in national conflict from one between monarchy and democratic
forces to one dealing with ethnic and regional issues where
inclusion becomes key (Manchanda 2006: 5035; Manchanda
2008; Snellinger 2009). In separate articles on the education and performance of Maoist rebels and organizations,
Kristine Eck (2010: 44) and Amanda Snellinger (2010: 80)
see a welcoming of traditionally excluded groups and
individuals as one of the primary features of the new Nepal
desired by opponents of the Nepali monarchy. Despite the
high degree of consistency among these applications of the
term, Mahendra Lawoti and Anup Pahari warn that it functions as little more than a metaphor that entails “no more
than a skeletal consensus on what a ‘New Nepal’ means in
practical terms, or how to get there” (Lawoti and Pahari
2010: 319). The new Nepal, then, represents the process of
constructing a nation along more openly democratic lines
more than it represents any single static moment in time.
Before its dissolution, Nepal’s royal government communicated its own vision of the new Nepal through its (...truncated)