In the Loge
BYU Studies Quarterly
Volume 40 | Issue 2
Article 19
4-1-2001
In the Loge
Marilyn Bushman-Carlton
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Recommended Citation
Bushman-Carlton, Marilyn (2001) "In the Loge," BYU Studies Quarterly: Vol. 40 : Iss. 2 , Article 19.
Available at: https://scholarsarchive.byu.edu/byusq/vol40/iss2/19
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Bushman-Carlton: In the Loge
in the loge
from a painting by mary cassatt
its all about seeing
and about being seen without knowing
and about who sees whom
the woman in black is the closest
farther back and unseen
by the woman in black
is the blur of a man in an opposite box
he too
is suited in black
and first one we see
her face and dress
and he leans his white head toward us
and toward the woman like her
lack the color and lace
that would bring our eyes back
again and again
his right hand holds glasses to his eyes
his point precisely at her
both the woman in black
limply tied at her neck
is a matching black
hat
what catches our eyes
are the glasses held to her eyes
with one hand the other
clutching a closed gold fan
lays in her lap
we see
through transparent gloves
her ivory flesh
her glasses are trained
not on the lit white stage
where the baritone bows
and an ardent soprano curves at his feet
but on someone outside of the frame
whom we cannot see
Published by BYU ScholarsArchive, 2001
and the man in black watching her
rest their arms on the rim of the rail
linking the two unaware
in a velvet toned curve
though through the eyes of the painter
we see the woman and man
in the black gold and red composition
neither we nor that man see who is seen
by the woman in black
the same seen by the painter
who kept her or him forever
out of our sight
marilyn bushman carlton
1
BYU Studies Quarterly, Vol. 40, Iss. 2 [2001], Art. 19
mary cassatt in the loge 1879 the hayden collection charles henry hayden
fund D 2000 museum of fine arts boston all rights reserved
https://scholarsarchive.byu.edu/byusq/vol40/iss2/19
2
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