Grokster and Beyond: Secondary Liability for Copyright Infringement During Live Musical Performances
Journal of Intellectual Property Law
Volume 19 | Issue 1
Article 7
October 2011
Grokster and Beyond: Secondary Liability for
Copyright Infringement During Live Musical
Performances
Kathryn Dailey Holt
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Recommended Citation
Kathryn D. Holt, Grokster and Beyond: Secondary Liability for Copyright Infringement During Live Musical Performances, 19 J. Intell.
Prop. L. 173 (2011).
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Holt: Grokster and Beyond: Secondary Liability for Copyright Infringeme
GROKSTER AND BEYOND: SECONDARY
LIABILITY FOR COPYRIGHT INFRINGEMENT
DURING LIVE MUSICAL PERFORMANCES
Kathgn DaileyHolf
TABLE OF CONTENTS
I.
IN TRO D UCTION ..........................................................................................
175
II.
BACKGROUND
176
COPYRIGHT ACT.....................................
B.
VICARIOUS LIABILITY........................................
178
1. The HistoricalDevelopment of Vicarious Liabiliy...........................
2. Elements of Vicarious Liabiliy ........................................................
a. Right andAbility to Supenise and Control the Infringing
Conduct....................................
b. DirectFinancialBenefit..........................
178
180
CONTRIBUTORY INFRINGEMENT .....................................................
183
1. The HistoricalDevelopment of ContributogInfringement.................
2. Elements of ContributoUInfringement..............................................
a. Knowledge of the Direct Infringement...................
b. MaterialContribution to the Direct Infringement.......................
183
183
184
185
C.
III.
..................................................
A.
ANALYSIS
A.
....... 176
......................................................................187
GROKSTER'S IMPACT.................................
........... 187
1. The Supreme Court'sHolding in Grokster .....................................
2. Grokster's Impact on SecondaU Liabiliy .......................................
a. Impact on Vicarious Liability ...................................................
b. Impact on ContributoUInfringement..........................................
B.
181
182
187
189
189
191
RAMIFICATIONS FOR INFRINGEMENT DURING LIVE
PERFO RMA N CES...................................................................................
1.
2.
193
Vicarious Liability............ ................... .................... 193
ContributoUy Uability
.................
.............
194
* J.D. candidate 2012, University of Georgia School of Law. The author would like to thank
her parents, Kim and Keith Holt, for their love and support. She would also like to thank her
friends and law school classmates for their advice and companionship.
173
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AN AGE-OLD SOLUTION.....................................................................
1. Music LicensingAgreements.............................................................
2. The Lounge Act Agreement..............................................................
IV.
CONCLUSION
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Holt: Grokster and Beyond: Secondary Liability for Copyright Infringeme
2011]
GROKSTER AND BEYOND
175
I. INTRODUCTION
It is a Friday night and you are meeting your friends at a bar to relax and
celebrate the beginning of the weekend. You arrive at your destination and
notice that a local band is performing tonight. "Great," you think to yourself,
"I love live music." You order a drink and the band starts to play a familiar
song, something you have heard on the radio dozens of times. This is a
common scene, one that does not seem to involve any illegal activity. However,
by performing that one song, the band has engaged in copyright infringement
and they are not the only ones responsible. On July 13, 2010, the United States
District Court for the Central District of Illinois addressed just such a situation,
ruling that the owners and operators of Goodfellas Pub & Pizza (Goodfellas)
were vicariously liable for thirteen counts of copyright infringement.'
Goodfellas is a restaurant located in Pekin, Illinois that often hires local
bands to perform.2 On three separate occasions, Broadcast Music, Inc. (BMI),
dispatched investigators to Goodfellas to determine specifically what music was
being played.' During the course of their investigation, BMI discovered the
bands hired by Goodfellas were playing copyrighted works without
authorization, including such popular songs as "Billie Jean," 4 "I Want You to
Want Me," 5 and "I Wanna Dance With Somebody Who Loves Me." 6 On May
11, 2009, BMI filed suit for copyright infringement, seeking a permanent
injunction against Goodfellas in addition to statutory damages and costs and
attorney's fees.7
The court's decision is the result of the steady progression of the law
regarding copyright infringement, representing dozens of decisions spanning
nearly one hundred years. The purpose of this Note is to discuss the
progression of vicarious liability and contributory copyright infringement and
their impact on a frequently neglected but quintessential aspect of music: the
live performance. Specifically, this Note will examine the Grokster line of case
law and assess its effect on more basic forms of musical copyright infringement.
While on the surface MGM Studios, Inc. v. Grokster8 appears to be primarily
applicable to new and expanding technologies, the court's holding concerning
the two principal doctrines of secondary liability-vicarious liability and
1Broadcast Music, Inc. v. CDZ, Inc., 724 F. Supp. 2d 930, 937 (C.D. Ill. 2010).
2 Id. at 932.
3 Id. at 933.
4 Id. at 932.
5 Id.
6 Id.
7 Id. at 933.
8 Metro-Goldwyn-Mayer Studios Inc. v. Grokster, Ltd., 545 U.S. 913 (2005).
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[Vol. 19:173
for copyright
ramifications
definite
contributory infringement-has
examine
the historical
Part
II
will
live
performances.
infringement during
development of the doctrines of vicarious liability and contributory liability with
respect to copyright infringement. Part III will examine Groksterand the impact
it had upon the devel (...truncated)