Fair Use for Computer Programs and Other Copyrightable Works in Digital Form: the Implications of Sony, Galoob and Sega
Journal of Intellectual Property Law
Volume 1 | Issue 1
Article 6
October 1993
Fair Use for Computer Programs and Other
Copyrightable Works in Digital Form: the
Implications of Sony, Galoob and Sega
Pamela Samuelson
University of Pittsburgh School of Law
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Recommended Citation
Pamela Samuelson, Fair Use for Computer Programs and Other Copyrightable Works in Digital Form: the Implications of Sony, Galoob and
Sega, 1 J. Intell. Prop. L. 49 (1993).
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Samuelson: Fair Use for Computer Programs and Other Copyrightable Works in
FAIR USE FOR COMPUTER PROGRAMS AND
OTHER COPYRIGHTABLE WORKS IN
DIGITAL FORM: THE IMPLICATIONS OF
SONY, GALOOB AND SEGA
Pamela Samuelson*
Contents
Page
I. INTRODUCTION ................................
51
II.
56
SONY AS A FAIR-USE CASE ........................
A. SOME BACKGROUND ON FAIR USE AND
THE SONY CASE .............................
B. UNIVERSAL'S ARGUMENTS AGAINST FAIR USE
C.
.......
56
61
THE SUPREME COURT'S FAIR-USE ANALYSIS .........
62
III. THE IMPLICATIONS OF SONY FOR PRIVATE
NONCOMMERCIAL COPYING OF COMPUTER PROGRAMS ...
67
A.
B.
67
A COPY AT THE OFFICE, A COPY AT HOME ..........
MAKING A COPY TO TEST THE FUNCTIONALITY
OF A PROGRAM ................................
C. LENDING A COPY TO A FRIEND ...................
69
70
IV. THE EMERGENCE OF FAIR USE IN THE SOFTWARE
COPYRIGHT CASE LAW: GALOOB V. NNTENDO AND
SEGA V. ACCOLADE
.............................
A.
GALOOB V. NINTENDO
B.
SEGA V. ACCOLADE
........................
..........................
73
74
78
Professor of Law, University of Pittsburgh School of Law. This Article is dedicated to
Professor L. Ray Patterson in honor of his steadfast commitment to a conception of copyright
as a regulatory regime in which the rights of users are to be balanced against the rights of
publishers and authors so as to foster the production and dissemination of knowledge. The
author wishes to acknowledge the contributions made to this Article by her research
assistant Jim Weinberg. She also thanks Robert J. Glushko, Dennis S. Karjala, Jessica
Litman, Jerome H. Reichman, and Uoyd Weinreb for their insightfud comments on earlier
drafts of this Article.
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Journal of Intellectual Property Law, Vol. 1, Iss. 1 [1993], Art. 6
J. INTELL. PROP.L.
C.
[Vol. 1:49
THE IMPORTANCE OF SONY FOR THE GALOOB
AND SEGA DECISIONS .......................
84
V. THE IMPLICATIONS OF SEGA FOR OTHER SOFTWARE
COPYRIGHT DISPUTES ..........................
A. THE IMPLICATIONS OF SEGA FOR OTHER
DECOMPILATIONS OR DISASSEMBLIES OF
COMPUTER PROGRAMS .......................
B. FAIR USE IN OTHER SOFTWARE CASES ...............
VI. IMPLICATIONS OF GALOOB FOR USES OF ELECTRONIC
INFORMATION TOOLS ON COPYRIGHTED WORKS ........
A. TOOLS FOR EXPANDING ORDINARY USES OF
COPYRIGHTED WORKS ........................
B. TOOLS FOR AIDING THE INTERPRETATION OF
OTHER WORKS .............................
C. WORKS THAT INTERACT WITH PREEXISTING WORKS...
VII. CONCLUSION
................................
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86
86
98
102
104
109
112
116
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Samuelson: Fair Use for Computer Programs and Other Copyrightable Works in
1993]
FAIR USE FOR COMPUTER PROGRAMS
51
I. INTRODUCTION
Fair use has historically served as a flexible and adaptable
mechanism for balancing the interests of copyright owners, their
competitors or potential competitors, and the public to fulfill the
larger purposes of copyright law which have traditionally been
understood to be promoting the production and dissemination of
knowledge. 1 Given this history, it is perhaps surprising how little
use has been made, until very recently, of fair use as a defense to
software copyright infringement claims, especially considering the
high volume of such litigations in the past dozen years.2
The most plausible explanation for the dearth of software related
fair-use cases is that the first decade of software litigation concentrated on more fundamental questions, such as whether copyright
1
See, e4g., L Ray Patterson, Free Speech, Copyright and Fair Use, 40 VAND. L. REV. 1
(1987) [hereinafter Patterson, Free Speech] (discussing fair use as a balancing mechanism
for mediating among the interests of authors, publishers, and the public in order to fulfill the
underlying purposes of copyright law).
2
There were a few cases in the first decade of software copyright litigations in which fairuse defenses were raised, although they were not given much attention. See, eg., AllenMyland, Inc. v. International Business Machs., 746 F. Supp. 520 (E.D. Pa. 1990) (holding
that database of IBM-authored software kept on behalf of IBM customers to whom AMI
provided modification services was not fair use), recons. denied, 770 F. Supp. 1004 (E.D. Pa.
1991). It may also be that, with the presumption against fair use when defendants have
commercial purposes that the Supreme Court established in Sony Corp. of America v.
Universal City Studios, 464 U.S. 417 (1984), software copyright defendants have, until
recently, been reluctant to raise fair-use defenses since most of the litigated cases have
involved commercial competitors. See infra note 63 (concerning the Sony presumption of
unfairness when defendants have commercial purposes).
There has also been remarkably little discussion of fair use in the ample law review
literature on copyright protection for computer programs. Two notable exceptions are Leo
J. Raskind, The Uncertain Case For Special Legislation Protecting Computer Software, 47
U. Prrr. L. REv. 1131 (1986) (noting absence of fair-use analysis in computer software
copyright cases) and Stephen K Tapp & Daniel E. Wanat, Computer Software Copyright
Issues: Section 117 and FairUse, 22 MEM. ST. U. L. REv. 197 (1992) (taking narrow view
of usefulness of fair use in computer software cases). See also Pamela Samuelson, Modifying
Copyrighted Software: Adjusting Copyright Doctrine to Accommodate a Technology, 28
JuRIdETRIcS J. 179 (1988) [hereinafter Samuelson, Modifying Software] (analyzing adequacy
of current defenses, including fair use, to copyright infringement action); Pamela Samuelson,
Computer Programsand Copyright'sFair Use Doctrine,36 CoMMs. OF THE A.C.M. 19 (Sept.
1993) (evaluating fair use and how the courts have dealt with it in recent decisions).
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J. INTELL. PROP.L.
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