Laughing at Censorship
Yale Journal of Law & the Humanities
Volume 28 | Issue 2
Article 1
January 2016
Laughing at Censorship
Laura E. Little
Charles Klein Professor of Law and Government, Temple University Beasley School of Law
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Yale Journal of Law & the Humanities, Vol. 28, Iss. 2 [2016], Art. 1
Laughing at Censorship
Laura E. Little*
INTRODUCTION
Can a speech restriction ever be inherently good? Can we ever justify
censorship as intrinsically beneficial, and not simply a justifiable means of
protecting something more important than free expression?
For those steeped in American law and culture, these questions may
seem almost heretical. But they deserve exploring, particularly given the
prevalence and variety of censorship in the United States and elsewhere in
the world.' Happily, a context exists for exploring the questions that is less
threatening and more entertaining than totalitarian thought control. The
context is humor: jokes, cartoons, vignettes, and other expressions that
make us laugh.2 Comedians know from experience, and research supports
the proposition, that an audience will predictably laugh at a censored
statement (specifically a "bleeped" or visually obscured statement) that the
audience believes is censored. Does this "comedic truth" have deep
significance for free speech theory and government censorship practices?
U.S. social norms, folklore, and customs generally take the position that
censorship is bad.' In fact, some may reflexively-and others may
thoughtfully-say that any censorship is inherently evil. "[T]o praise an
*Laura E. Little, Charles Klein Professor of Law and Government, Temple University Beasley
School
of Law. I benefitted greatly from comments on this article from the participants of Freedom of
Expression Scholars Conference at Yale Law School, participants at Temple Law School's faculty
workshop, and my colleague Professor Craig Green. I am also grateful for the excellent research
assistance of Joseph Mathew, Bradley R. Smith, Kathleen West, and Kevin Yoegel.
1. I use the term censorship here to encompass all instances where the state uses legal or official
means to restrict expression. As a general matter, I use the terms "censorship" and "speech restriction"
interchangeably. This is broad enough to include "soft law" and indirect governmental control, but not
informal regulation by social norms. See infra notes 6-15 and accompanying text for further discussion
of the term censorship as used in this article.
2. Humor scholars occasionally venture a taxonomy of humor types for the purpose of study, but
to do so here would unnecessarily complicate analysis. I use the terms joke, humor, and comedy as
synonyms throughout this article.
3. Within the legal academy and intelligentsia, the matter is more nuanced. While the traditional
analysis of censorship focused on repression and oppression by tyrannical government actors, more
recent scholarship has focused more on private power and has been open to censorship of hate speech,
pornography, and the speech of the wealthy (that has the effect of overshadowing the speech of the
poor). See ROBERT C. POST, CENSORSHIP AND SILENCE 2,4-5 (1998).
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Little: Laughing at Censorship
Yale Journal of Law & the Humanities
[Vol. 28:2
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act of censorship is to verge on committing a linguistic mistake." First
Amendment doctrine is more moderated-but generally agrees. This
Article will probe that position, exploring the proposition that individuals,
law, and society all benefit from line drawing-even in the context of
something as special as freedom of communication. The Article explores
the notion that the laughter emerging from comedy featuring censorship
might be a "tell" that exposes this truth.
A few caveats. First: I am an admirer of the First Amendment, not an
admirer of censorship. I do not advocate more speech restrictions, but I do
advocate a closer look at the effect of censorship on the human psyche.
Understanding competing dynamics in responding to speech restrictions
can help us ensure that we adopt socially (and individually) beneficial
forms of censorship in those circumstances when censorship must exist.
With that goal, I proceed, hoping not to empower unprincipled or
overzealous censors with analytical justification. My second caveat: I
appreciate that analyzing why anything is funny is risky. Humor analysis
is riddled with problems of subjectivity. One person's light-hearted joke is
another person's deep insult. Humor analysis can also be humordestroying. 5 I treasure comedy and the joy that a joke can bring. I
nonetheless am willing to sacrifice a few specimens in service of the
greater understanding of censorship's effect on individuals and society.
My final caveat isn't really a caveat, but a definition or, more precisely,
a definitional limitation. Censorship is a broad concept and encompasses a
wide range of human prohibitions, within law, social norms, and shared
concepts of "good taste" and passing trends. 6 Frederick Schauer suggests
4. Frederick Schauer, The Ontology of Censorship, in CENSORSHIP AND SILENCING 147 (Robert
C. Post ed., 1998); see also, Derek Bambauer, Orwell's Armchair, 79 U. CHI. L. REV. 863, 871 (2012)
("[T]he term "censorship" carries a pejorative connotation. It is particularly loaded in American and
scholarly discourse, where censorship is seen as anathema to deeply-held beliefs about the importance
of unfettered discourse and free expression.").
5. As generations of legal scholars have experienced, many areas of law carry with them a
sentimental attachment to an obligatory citation-a citation often including some metaphor (...truncated)