Blue nights
Age and Ageing 2012; 41: 820
© The Author 2012. Published by Oxford University Press on behalf of the British Geriatrics Society.
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Book review
Blue nights
Joan Didion
Vintage, 2011, 188 pp,
ISBN: 978-0-307-38738-7
I am old enough to once have had the privilege of working
with Prof. John Brocklehurst, one of the founders of academic geriatric medicine. He was spending a sabbatical year
in Saskatoon, helping to found the Division of Geriatric
Medicine at the University of Saskatchewan. In 1979, he told
me, a couple of years before I was to go to medical school
with the intention of becoming a geriatrician, ‘Don’t worry
about geriatric medicine in Canada. The argument is right
and time is on your side.’ Much has worked out since then,
but it is not so clear now, stalled as we and our American
colleagues are in our recruitment efforts, whether time is still
on our side. For this reason, and others, I am always alert to
the possibility of new ways to engage young doctors—typically
medical students or junior medical residents—about geriatric
medicine. As do many of our tribe, I see the care of older
adults who are frail—i.e. those whose multiple, interacting
medical and social problems put them at an increased risk of
adverse health outcomes—as the core of our professional
activity and expertise. And like many others, I recognise that
to care for such patients requires not just a set of facts and
skills at hand, but a set of attitudes.
Part of the affective learning required of students of
geriatric medicine is an empathetic understanding of the
not uncommon sense of bewilderment of their limitations
that many of our patients experience. That is not readily to
hand in most clinical encounters, so that when an opportunity such as that afforded by Joan Didion’s description of
her experience of falls, frailty and health-care becomes
available, it deserves to be made widely known.
At 55, I am also old enough to remember the author in
her prime. Joan Didion is a Los Angeles born but
New York-based author, novelist and screenwriter. Her style
of what is often called ‘literary nonfiction’ contributed to the
then New Journalism, in which subjectivity in reporting was
not just acknowledged, but celebrated as a means of providing a deeper understanding of events than the traditional
‘just the facts, ma’am’ standard. To do this effectively
requires that the writer’s voice be recognisable, not just as a
style, but as a localisable perspective and set of values. Her
political writing, especially in the New York Review of Books,
which is where I first read her work in the 1970s, combined
that voice and those values with an admirable incisiveness.
In 2005, Didion published ‘The Year of Magical
Thinking’, a searing account of her grief following the
820
sudden death of her husband of four decades, the writer
John Gregory Dunne. At that time, their daughter Quintana
Roo Dunne was in a New York Intensive Care Unit, with
septic shock arising from a pneumonia. Shortly after recovering from that, and while visiting Los Angeles, Quintana had
an intracerebral haemorrhage. At the close of ‘The Year’, she
was undergoing a slow recovery.
Quintana Roo never did recover. She died almost 2 years
(and three more ICUs) later. ‘Blue Nights’ is about that period.
For the wavering medical student or resident coming to
grips with the often merciless optimism of procedurefocused medicine, there is much in ‘Blue Nights’ to show
how our patients gradually come to know better than to
believe what we tell them, no matter how artfully we might
hedge the final outcome. For the ones interested in the idea
of the interior life of their patients, and what they can teach
us about frailty, this book is especially insightful. Didion
describes how the evaluation of a seemingly straightforward
syncope resulting in an injurious fall can demoralise the
patient even as it frustrates the staff. She suffered a sudden
loss of consciousness, (‘… I found myself waking on the
floor of my bedroom [bleeding]…I had no clear memory
of falling.’) ( p. 142) and then being caught up in the
medical machine. She notes the resentment of some healthcare team members when 4 days of heart monitoring failed
to reveal a cardiac cause for her syncope; their view was
that ‘because I had been given a bed on the cardiac unit I
must have a cardiac problem’. To a Canadian sensibility, the
ensuing level of investigation (four days of cardiac monitoring, MRI, MRA, PET) seems extravagant.
That it proved unrevealing does not surprise. Didion
describes a sudden fear of falling as she tries to arise from
a folding chair at a rehearsal of the off-Broadway play
based on ‘The Year’. She had insight into the apparent unreasonableness of her fear, but no way to feel differently.
Frailty has impaired her body. It has compromised her
relationships with others and has led her to resent their pity
even as she appreciates their concern. It has affected what
she feels even if it has not entirely affected how she thinks.
But it has not affected her ability to observe and to react. In
this way, she does a special service to anyone who wonders
what it might be like to grow old and frail. She particularly
opens a window for physicians who care for such patients,
or those who think that they might like to do so.
KENNETH ROCKWOOD
QEII Health Sciences Centre, Dalhousie University, Halifax, Canada
Email:
doi: 10.1093/ageing/afs123
Published electronically 4 September 2012
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