Copyrightability of LEED-Certified Buildings: Approaching the AWCPA to Promote Green Architecture
St. John's Law Review
Volume 89, Summer/Fall 2015, Numbers 2 & 3
Article 18
Copyrightability of LEED-Certified Buildings:
Approaching the AWCPA to Promote Green
Architecture
Stephen Accursio Maniscalco
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Recommended Citation
Stephen Accursio Maniscalco (2015) "Copyrightability of LEED-Certified Buildings: Approaching the AWCPA to Promote Green
Architecture," St. John's Law Review: Vol. 89 : No. 2 , Article 18.
Available at: https://scholarship.law.stjohns.edu/lawreview/vol89/iss2/18
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COPYRIGHTABILITY OF LEED-CERTIFIED
BUILDINGS: APPROACHING THE AWCPA
TO PROMOTE GREEN ARCHITECTURE
STEPHEN ACCURSIO MANISCALCO†
INTRODUCTION
In 2009, The Cooper Union for the Advancement of Science
and Art opened the doors to 41 Cooper Square, its new academic
building designed by Morphosis Architects.1
In 2010, the
building secured a Leadership in Energy and Environmental
Design (“LEED”) Platinum certification.2 LEED is a creditsbased rating system: The more “green” a building project is, the
more LEED credits it will earn and the higher certification it will
obtain.3
Buildings have deleterious environmental impacts, such as
high energy consumption and high greenhouse gas emissions.4
The design of innovative buildings is critical to reducing waste
generation, reducing energy and resource consumption,
improving air quality, and slowing the rate of climate change.
Therefore, the law should incentivize green architecture to the
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†
Senior Staff Member, St. John’s Law Review; Member, St. John’s Moot Court
Honor Society; J.D., magna cum laude, 2015, St. John’s University School of Law;
Bachelor of Engineering, Civil Engineering, summa cum laude, 2008, The Cooper
Union for the Advancement of Science and Art. I owe a debt of gratitude to Professor
Mary Lyndon for her wisdom and guidance in writing this Note.
1
The Cooper Union for the Advancement of Science and Art/Morphosis
Architects, ARCHDAILY (Nov. 12, 2009), http://www.archdaily.com/40471/the-cooperunion-for-the-advancement-of-science-and-art-morphosis-architects
[hereinafter
ARCHDAILY].
2
41 Cooper Square Becomes First Academic Building in New York City To Be
Certified LEED Platinum, AT COOPER UNION, Fall–Winter 2010, at 3, available at
http://cooper.edu/sites/default/files/uploads/assets/site/files/ACU_FallWint10_2.pdf
[hereinafter AT COOPER UNION].
3
LEED, U.S. GREEN BUILDING COUNCIL, http://www.usgbc.org/leed (last
visited Mar. 23, 2015) [hereinafter U.S. GREEN BUILDING COUNCIL].
4
See infra Part I.A.
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ARCHDAILY, supra note 1.
Id.
7
Id.
8
Ada Louise Huxtable, State of the Cooper Union, WALL ST. J. (Dec. 2, 2009),
http://online.wsj.com/news/articles/SB100014240527487034994045745617528129909
12.
9
17 U.S.C. § 102(a)(8) (2012).
10
U.S. GREEN BUILDING COUNCIL, supra note 3.
11
See, e.g., Feist Publ’ns, Inc. v. Rural Tel. Serv. Co., 499 U.S. 340, 348 (1991).
6
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greatest extent possible; this should include both robust
copyright protection and the LEED certification system, without
the latter limiting the former.
Morphosis Architects arranged the rooms and spaces of 41
Cooper Square so that seventy-five percent of the building’s
regularly occupied rooms are lit by natural light.5 Also, the
architects included a central full-height atrium, housing a huge
staircase, designed to improve air circulation and to allow
natural light to permeate the center of the structure.6 These
design features serve two purposes.
First, they are
environmentally friendly because they lower the building’s
energy consumption and improve the building’s indoor air
quality.7 Second, the architects’ arrangement choices and central
atrium design are stylistically creative. For example, according
to a renowned architecture critic, the atrium is an “intricate,
soaring, free-form, white tube lattice, like a huge abstract
sculpture, fill[ing] the space around the stair and defin[ing] the
edges of the void, fencing in the open floors at each level.”8
To encourage architects to be stylistically creative, the
Architectural Works Copyright Protection Act of 1990
(“AWCPA”) grants copyright protection in original architectural
works.9 To encourage architects to be environmentally conscious,
the LEED certification system awards LEED credits for
sustainable design features.10 What should be the relationship
between LEED and the AWCPA? Should the AWCPA be
constrained by LEED?
No court has specifically addressed copyright protection in
LEED-certified buildings.
It is undisputed that copyright
protection only extends to those elements of an architectural
work that are original to the architect.11 Some courts, however,
consider market demands, building codes, and functional
demands as factors limiting architects’ opportunities for
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12
See, e.g., Harvester, Inc. v. Rule Joy Trammell + Rubio, LLC, 716 F. Supp. 2d
428, 440–41 (E.D. Va. 2010).
13
Courts consider these factors in applying the merger doctrine. See infra Part
II.B. Under the merger doctrine, when there is a limited number of ways to express
an idea, the expression merges with the idea and is, thus, unprotectable. Morrissey
v. Procter & Gamble Co., 379 F.2d 675, 678 (1st Cir. 1967).
14
See infra Part I.A.2.
15
See, e.g., Frank Betz Assocs., Inc. v. Signature Homes, Inc., No. 3:06-0911,
2010 WL 1373268, at *4 (M.D. Tenn. Mar. 29, 2010).
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originality.12 These courts reason that the factors reduce the
number of available ways to express an architectural idea
because the factors dictate, to a certain extent, the design options
available to the architect.13 Because LEED-certified buildings
are popular, inherently functional, and, sometimes, required by
regulation,14 these courts may conclude that some elements of
LEED-certified buildings are unoriginal and are not copyright
protected.
Other courts analyze copyrightability of architectural works
differently.15 To determine whether an architectural element is
original under this second approach, the architect’s intention is
not considered. Outside constraints, like market demands and
efficiency, ar (...truncated)