An Obscure Scandal of Consciousness

Yale Journal of Law & the Humanities Volume 1 Issue 1 Yale Journal of Law & the Humanities Article 7 January 1989 An Obscure Scandal of Consciousness Anthony Chase Follow this and additional works at: https://digitalcommons.law.yale.edu/yjlh Part of the History Commons, and the Law Commons Recommended Citation Anthony Chase, An Obscure Scandal of Consciousness, 1 Yale J.L. & Human. (1989). Available at: https://digitalcommons.law.yale.edu/yjlh/vol1/iss1/7 This Article is brought to you for free and open access by Yale Law School Legal Scholarship Repository. It has been accepted for inclusion in Yale Journal of Law & the Humanities by an authorized editor of Yale Law School Legal Scholarship Repository. For more information, please contact . Chase: An Obscure Scandal of Consciousness An Obscure Scandal of Consciousness Anthony Chase and now, dividedwith you-doesn't the world-or at least that part which holds power-seem worthy only of rancor and an almost mystical contempt? Yet without your rigor, I survive because I do not choose. I live in the non-will of the dead postwar years: loving the world I hate, scorning it, lost in its wretchedness-in an obscure scandal of consciousness...* I. INTRODUCTION This essay provides an introduction to American popular culture, specifically designed to be of use to those interested in evaluating the relationship between law, lawyers, and public consciousness or popular values as they have developed within American society. 1 It is fair to ask from the outset what possible justification there can be for devoting even a short essay like this one to such a project. One could quite easily argue that legal scholarship itself is governed by a popular front composed of orthodox as well as avant-garde scholars, united around a common purpose, equally committed to obscuring the identity and historical profile of those who actually hold power. Does not a focus upon lawyers and popular culture represent merely one more effort to avoid confronting any actual sociology of the system which the rulers manipulate to their advantage? * P. Pasolini, The Ashes of Gramsci, Poems 11 (N. MacAfee trans. 1982). 1. For a bibliography of resources available for the study of law, lawyers, and popular culture, see Chase, On Teaching Law and PopularCulture, 3 Focus on Law Studies: Teaching About Law in the Liberal Arts 7, 8 (Spring 1988); works subsequently published or inadvertently omitted from the Focus bibliography include American Media and Mass Culture: Left Perspectives (D. Lazere ed. 1987); Bloomfield, Law and Lawyers in American Popular Culture, in C. Smith, J. McWilliams & M. Bloomfield, Law and American Literature 125 (1983); Rowe, Power in Prime Time: Miami Vice and L.A. Law, 33 Jump Cut 20 (Feb. 1988); Stark, Perry Mason Meets Sonny Crockett: The History of Lawyers and the Police as Television Heroes, 42 U. Miami L. Rev. 229 (1987); Heller, The Secrets of Columbo, 66 Telos 133 (Winter 1985-86); Zaslove, In Search of Columbo, 70 Telos 161 (Winter 1986-87); Film and History (Special Issue), 41 Radical Hist. Rev. 3 (April 1988); E. Long, The American Dream and the Popular Novel (1985); Political Mythology and Popular Fictions (E. Yanarella & L. Sigelman eds. 1988); T. Christensen, Reel Politics (1987); J. Cawelti, Adventure, Mystery, and Romance (1976); W. Westbrook, Wall Street in the American Novel (1980). Published by Yale Law School Legal Scholarship Repository, 1989 1 Yale Journal of Law & the Humanities, Vol. 1, Iss. 1 [1989], Art. 7 Yale Journal of Law & the Humanities [Vol. 1: 105 From "strict construction" through "deconstruction," the dominant tradition of American legal writing seems to have been devoted to futile efforts at ignoring social context, within which real power can be analyzed and countered.' However oriented, is not writing about the relationship between law and popular culture simply one more example of otherwise unemployable, middle-class intellectuals accepting the transfer payments made possible by the university welfare system in exchange for the kind of obscure and pedantic research which promotes nothing at all save academic careers?' Should we not regard popular culture itself as a scandal of at least some sort, a likely source of wretchedness, if not dementia, for any reasonably intelligent person seduced by its cheap attractions and ready allure? The answer to questions like these must be found in the concrete work carried forward by people who write about law, lawyers, and popular culture. My view is that once sufficient time and care have been devoted to analyzing the emerging set of problems and materials which connect the world of popular art and everyday experience to that of legal institutions and practices, it will become apparent that useful contributions have been made to the sociology of culture, including legal culture. Understanding popular legal culture might even make possible more rigorous thinking about the relation between law, politics, and social change in the United States. Let us briefly consider, then, the realm of "legal institutions and practices," in a readily accessible law review article. Jammed into a recent issue of The Texas Law Review, behind essays on loss causation in securities fraud litigation as well as unifying servitudes and defeasible fees in property law, I found a brief comment by labor law professor Julius Getman under the simple title, "Voices." 4 Getman identifies several ways of talking about law which are also ways of approaching legal writing and education: professional voice, critical voice, scholarly voice, and human voice. While recognizing the obvious legitimacy of professional voice 2. Regarding law not as a system of social relations but, rather, a text in need of interpretation, legal scholars tend to "abet power's visceral escape from accountability." Chase, A Note on the Aporias of Critical Constitutionalism,36 Buffalo L. Rev. (1988); see also West, Adjudication Is Not Interpretation:Some Reservations about the Law-as-Literature Movement, 54 Tenn. L. Rev. 203, 207 (1987). Ironically, given the close relationship between law and the state, none of the dominant schools of American legal scholarship (from 'neutral principles' through Critical Legal Studies) has even begun to develop a coherent theory of state power. For scholars who have begun this task, however, see M. Carnoy, The State and Political Theory (1984); F. Block, Revising State Theory: Essays in Politics and Postindustrialism (1987); M. Sklar, The Corporate Reconstruction of American Capitalism, 1890-1916: The Market, The Law, and Politics (1988). 3. See R. Jacoby, The Last Intellectuals: American Culture in the Age of Academe (1987); Scialabba, What are the Intellectuals Good For?, 7 Grand Street 194 (Spring 1988); Wald, Jacoby's Complaint, 55 Radical Historians Newsletter 1 (May 1988); Lukes, Piccone, Siegel & Taves, Roundtable on Intellectuals and the Academy, 71 Telos 5 (Spring 19 (...truncated)