The Architectural Works Copyright Protection Act at Twenty: Has Full Protection Made a Difference?
Journal of Intellectual Property Law
Volume 18 | Issue 1
Article 2
October 2010
The Architectural Works Copyright Protection Act
at Twenty: Has Full Protection Made a Difference?
David E. Shipley
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David E. Shipley, The Architectural Works Copyright Protection Act at Twenty: Has Full Protection Made a Difference?, 18 J. Intell. Prop.
L. 1 (2010).
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Shipley: The Architectural Works Copyright Protection Act at Twenty: Has F
JOURNAL OF INTELLECTUAL PROPERTY LAW
VOLUME 18
FALL 2010
NUMBER 1
ARTICLES
THE ARCHITECTURAL WORKS COPYRIGHT
PROTECTION ACT AT TWENTY: HAS FULL
PROTECTION MADE A DIFFERENCE?
David E. Shioley*
TABLE OF CONTENTS
3
I.
IN TRO D UCTIO N ...........................................................................................
II.
THE NEED FOR PROTECTION AND DEFINING AN
8
"ARCHITECTURAL WORK".......................................................................
11
A. WHAT IS A BUILDING?.......................................................................
B. MUST THE BUILDING BE CAPABLE OF CONSTRUCTION?.............13
III.
COPYRIGHT OWNERSHIP ISSUES..........................................................
IV.
SATISFYING THE ORIGINALITY REQUIREMENT.................................20
V.
INFRINGEMENT OF ARCHITECTURAL WORKS....................................24
24
A . THE BASICS..........................................................................................
B. INFRINGEMENT BY THE REPRODUCTION OF PLANS..................28
C. REVISION OF PLANS AND THE SECTION 120(B) LIMITATION ......... 29
32
D. UNAUTHORIZED USE OF PLANS......................................................
E. SECTION 120(A) AND UNAUTHORIZED PHOTOGRAPHS OF
35
ARCHITECTURAL WORKS .................................................................
16
Thomas R.R. Cobb Professor of Law, University of Georgia School of Law. B.A. 1972,
Oberlin College; J.D. 1975, University of Chicago.
1
Published by Digital Commons @ Georgia Law, 2010
1
Journal of Intellectual Property Law, Vol. 18, Iss. 1 [2010], Art. 2
J.INTELL PROP. L
2
[Vol. 18:1
VI.
GENERAL SCOPE OF PROTECTION ISSUES..........................................39
................ 40
A. THE SUBTRACTIVE APPROACH ...............
42
................................
B. THE TOTALITY APPROACH
43
........................
THE
APPROACHES
C. COMBINING
D. FUNCTIONALITY AS A LIMIT ON THE SCOPE OF PROTECTION ...... 44
VII.
As APPLIED-JUDICIAL RESOLUTION OF SCOPE OF PROTECTION
45
ISSU E S.........................................................................................................
A. RESIDENTIAL HOMES.......................................................................
45
B. CONDOMINIUMS
...................................................... 48
49
C. MORE COMPLEX STRUCTURES........................................................
D. SUCCESS STORIES OR WITHSTANDING SUMMARY JUDGMENT ....... 53
VIII.
CONCLUDING OBSERVATIONS ..............................................................
https://digitalcommons.law.uga.edu/jipl/vol18/iss1/2
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Shipley: The Architectural Works Copyright Protection Act at Twenty: Has F
2010]
TWENTY YEARS OF THE AWCPA
3
I. INTRODUCTION
Many critically acclaimed buildings were designed by H.H. Richardson,
Louis Sullivan, Frank Lloyd Wright, Max Abramovitz, Robert Venturi and other
highly regarded American architects during the latter part of the nineteenth
century and through most of the twentieth century. Their artistry flourished
even though their works received only second-class protection under United
States copyright law until 1990. Architects and their works did not receive the
same level of protection that copyright law extended to the paintings,
sculptures, and other works of authorship created by their highly regarded
contemporaries in those other fine arts. The Copyright Act of 1909 did not
include architectural plans, blueprints, designs, or models as copyrightable
subject matter, and the 1976 Act did not mention architectural works either.'
Even though our copyright statutes were silent about architecture until 1990,
it was well established that plans, blueprints and models were copyrightable
writings under the 1909 Act's category of "drawings or plastic works of a
scientific or technical character," 2 and then as "pictorial, graphic, and sculptural
works" under the 1976 Act.3 The scope of an architect's copyright protection
was, however, quite limited. The unauthorized copying of plans or blueprints
constituted infringement, 4 but most authorities concluded that plans were not
infringed by using them, without the architect's permission, to construct the
building they depicted.5 Moreover, the prevailing view was that an architect's
6
rights did not extend to the actual building derived from his or her plans. A
7
building, as a useful article, could be protected by copyright only to the extent
I MARSHALL LEAFFER, UNDERSTANDING COPYRIGHT LAw 130 (5th ed. 2010); David Shipley,
Copynght ProtecfionforArchitecturalWorks, 37 S.C. L. REv. 393, 395 (1986).
2 17 U.S.C. 5 5(i) (1973).
3 17 U.S.C. $ 102(a)(5) (2006). See also Leicester v. Warner Bros., 232 F.3d 1212, 1227 (9th
Cir. 2000) (Fisher, J., dissenting). The definition of pictorial, graphic, and sculptural works was
amended in 1990 to include architectural plans. Pub. L. No. 100-568, § 4(a)(1)(A), 102 Stat. 2853
(1988) (codified at 17 U.S.C. § 101).
4 See, e.g., Aitken, Hazen, Hoffman, Miller, P.C. v. Empire Const. Co., 542 F. Supp. 252 (D.
Neb. 1982); Meltzer v. Zoller, 520 F. Supp. 847 (D.N.J. 1981).
5 Compare Scholz Homes, Inc. v. Maddox, 379 F.2d 84 (6th Cir. 1967), with Imperial Homes v.
Lamont, 458 F.2d 895 (5th Cir. 1972). See also Shipley, supra note 1, at 403-06; LEAFFER, supra
note 1, at 130-31 ("[C]opyright in architectural plans or models did not convey a right to control
their use.").
6 Shipley, supra note 1, at 395.
7 PAUL GOLDSTEIN, COPYRIGHT %§ 2.15.1, 2:183 (1996) (buildings erected from blueprints
and plans will rarely qualify as pictorial, graphic, or sculptural works because their intrinsic
utilitarian function makes them "useful articles"). A useful article is defined as "an article having
an intrinsic utilitarian function that is not merely to portray the appearance of the article or to
convey information. An article that is normally a part of a useful article is considered a 'useful
article.'" 17 U.S. (...truncated)