Learning ballet technique modulates the stretch reflex in students with cerebral palsy: case series
(2024) 25:66
López‑Ortiz et al. BMC Neuroscience
https://doi.org/10.1186/s12868-024-00873-0
BMC Neuroscience
Open Access
RESEARCH
Learning ballet technique modulates
the stretch reflex in students with cerebral palsy:
case series
Citlali López‑Ortiz1,2*, Maxine He1, Deborah Gaebler‑Spira3,4 and Mindy F. Levin5,6
Abstract
Background Cerebral palsy (CP) is considered the most prevalent developmental motor disorder in children. There
is a need for training programs that enhance motor abilities and normalize function from an early age. Previous stud‑
ies report improved motor outcomes in dance interventions for CP. Investigating the neurophysiological mechanisms
underlying such improvements is necessary for efficient and safe intervention design. This study reports changes
in stretch reflex responses as the primary neurophysiological motor outcome of a targeted ballet class intervention.
Results A case series of participants with mixed spastic and dyskinetic CP (n = 4, mean age = 12.5 years, SD = 6.9S
years, three female, one male) who learned ballet technique in a course of one-hour classes twice per week for six
weeks is presented. Changes in stretch reflex responses and in clinical motor tests as secondary outcomes were
observed after the course and at one-month follow-up. Quantitative measures of elbow or ankle stretch reflex
were obtained using electromyography and electrogoniometry. The joint angle of the stretch reflex onset varied
across velocities of stretch, and its variability decreased after the intervention. Within-subject tests of the central
tendency of stretch reflex angle coefficients of variation and frequency distribution demonstrated significant changes
(p-values < 0.05). Secondary outcomes included the Quality of Upper Extremity Skills Test (QUEST), Pediatric Bal‑
ance Scale (PBS), Modified Tardieu Scale (MTS), Dyskinesia Impairment Scale (DIS), and Selective Control Assessment
of the Lower Extremity (SCALE). All the participants demonstrated improvements larger than the minimal clinical
important difference (MCID) or the smallest detectable difference (SDD), as applicable.
Conclusions Evidence of changes in the stretch reflex responses in these four cases of mixed CP was observed. The
observed variability in the stretch reflex responses may be due to the dyskinetic component of the mixed CP pres‑
entations. More studies with a larger sample size and longer duration of learning and practice of ballet technique are
necessary to establish the extent of possible modulation and adaptation of the stretch reflex response as a neuro‑
physiological basis for observed improvements in clinical measures.
Trial registration: This study was registered in the Clinical Trials Protocol Registration and Results System
(NCT04237506, January 17, 2020).
Keywords Cerebral palsy, Ballet, Stretch reflex, Motor learning, Rehabilitation, Dance
Affiliations when the experiment was conducted.
*Correspondence:
Citlali López‑Ortiz
Full list of author information is available at the end of the article
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López‑Ortiz et al. BMC Neuroscience
(2024) 25:66
Introduction
Cerebral palsy (CP) is considered the most prevalent
developmental motor disorder in children [1]. CP is considered a non-progressive condition consisting of a group
of permanent dysfunctions in movement and posture
resulting from injuries in the developing brain during
the prenatal and perinatal periods [2]. According to the
Surveillance of Cerebral Palsy working group in Europe,
muscle tone in CP is divided into hypertonic and hypotonic types, further classified into three main groups
based on motor signs: (1) spastic, (2) dyskinetic (divided
further into dystonia and choreoathetosis), and (3) ataxic
[3]. Hypertonic and hypotonic manifestations can be
present in the same child as in the mixed presentation
of spasticity and dyskinesia [4]. The motor impairments
result in decreased motor performance and participation in social and daily living activities that evolve into
increased disability with age [5]. Hence, there is a need
to develop training programs that yield positive motor
outcomes and normalize activities and participation
throughout the lifespan [6].
Various dance forms, including creative dance, dancebased in somatic therapies, ballroom dance, hip-hop, and
classical ballet, have shown positive movement outcomes
for persons with CP while increasing social participation. Previous studies have reported improved balance,
gait, selective motor control, range of motion, rhythm
production, and executive function [5–9]. However,
the neurophysiological mechanisms that underlie such
improvements have not been elucidated. Gaining a better understanding of the underlying neurophysiological
mechanisms is key for the objective, beneficial, and efficient design of dance classes and programs for persons
with CP while avoiding possible motor rehabilitation
pitfalls.
Several studies on stretch reflex adaptation in classical ballet dancers and modern dancers have shown that
ballet and modern dance training produce a long-term
depression of the H-reflex [10–15]. The H-reflex has
the same neuronal pathway as the stretch reflex, but
it is electrically induced as opposed to a mechanically
induced muscle stretch. It is estimated that 80% of individuals with CP present heightened stretch reflexes that
underlie clinical spasticity [4]. Thus, adaptation through
learning and practicing ballet techniques in CP may constitute an important neurophysiological mechanism for
the improved motor outcomes reported in the previous
research [5, 14, 16–21]. This study quantifies the changes
in the stretch reflex after learning classical ballet technique in a course similar to that of previously published
studies as one plausible neurophysiological mechanism
for the previously reported improved motor outcomes
[19–21].
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In the case of individuals with mixed spasti (...truncated)